Includes essays by Cesar Espinosa and Emily Hicks, and statements by Vincenzo Accame, Pierre Garnier and Max Bense. -- Source of annotation: Marvin or Ruth Sackner.

This drawing was commissioned for "The Beauty In Breathing" exhibition. The poet drew circular shapes with symmetrical and irregular borders encapsulating the words, "breath, breathing, and respiro," as an attempt to portray the physical qualities of a breath as a visual image. -- Source of annotation: Marvin or Ruth Sackner.

This is a major exhibition of concrete and visual poetry organized by Michael Glasmeier. Almost every classification of visual/verbal imagery was represented in this catalogue. This catalogue depicts 71 dom sylvester houedard, eight Ladislav Novak typewriter poems. This catalogue depicts images of works included in several Hansjorg Mayer portfolios of concrete poetry. It also depicts images from runs of periodicals such as Affiche, Futura, POTH, Rot, Revue Ou, Rhinozeros, etc. Most of the works in this exhibition are also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This book is one of the most extensive collection of word-image material with emphasis on concrete poems ever commercially published. The text is brief, e.g., a preface by Jean-Francois Bory and a postface by Isabelle Maunet-Salliet. Each image is printed one to a page. Although the emphasis is on French poets, there are images from poets all over the world. Significant omissions that are bound to occur in such a large undertaking include among others d.a. levy, Dick Higgins, Dom Silvester Houedard, Steve McCaffery, bill bissett, Edgardo-Antonio Vigo, Leon Ferrari, Mira Schendel, Ana Hatherly, Herman de Vries, Ernesto M. de Melo e Castro, Ben, Herman Damen, Enzo Miglietta, Carlfriedrich Claus, Alan Riddell, and Rachid Koriachi. -- Source of annotation: Marvin or Ruth Sackner.

This card also served as an exhibition announcement. Stored with Tool Publications. -- Source of annotation: Marvin or Ruth Sackner.

This collection enclosed in an envelope includes 1) poster entitled TOOL: richerche interlinguistiche [1971], 2) two different posters entitled, Fra Significante e Significato: La Nuova Scrittura [1975], and 3) Artescrittura. -- Source of annotation: Marvin or Ruth Sackner.

This drawing has small areas of green watercolor enclosed withinn an irregular ink border. -- Source of annotation: Marvin or Ruth Sackner.

Mention is made that the Sackner Archive holds works by Fedi. -- Source of annotation: Marvin or Ruth Sackner.

The cover reproduces a cancelled text poem by Man Ray from his Dada period. -- Source of annotation: Marvin or Ruth Sackner.

In the introduction, Saiber describes Bruno as a 16th century polymath who was a philosopher, poet, playwright, mnemonist and magus but at his core an architect of ideas. Saiber further adds that "Many among the educated class familiar with esoteric learning, like Bruno, looked to locate and empower themselves through spacial manipulation and symbloic permutation, such as memory theaters. encyclopedias, kabbalah, natural magic, alchemy, and searches for the 'perfect language.' Bruno's writing indeed contains verbal patterns that signal an unusual sensibility to the shape of of space - whether of the heavens, between people, on a page, or of one's mind." -- Source of annotation: Marvin or Ruth Sackner.