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Albert-Birot, Pierre

 Person

Dates

  • Existence: 1967

Found in 6 Collections and/or Records:

Apollinaire and the International Avant-Garde / Bohn, Willard ; Albert-Birot P ; Breton A ; Cendrars B ; Delaunay S ; Duchamp M ; Huidobro V ; Lewis WP ; Mallarme S ; Marinetti FT ; Reverdy P ; Pound E ; Zukofsky L ; Ray M ; Aragon L ; Arp H ; Baudelaire C ; Boccioni U ; Brossa J ; Crotti J ; cummings ee ; Dante ; Ernst M ; Folgore L ; Ford CH ; Holz A ; Jacob M ; Jarry A ; Laforgue J ; Lagut I ; Nerval G ; Neuhuys P ; Picabia F ; Picasso P ; Rimbaud A ; Russolo L ; Salmon A ; Salvat-Papasseit J ; Scheerbart P ; Severini G ; Soupault P ; Tablada J ; Torre G ; Tzara T ; Whitman W ; Wood B ; Zayas M., 1997

 Item
Identifier: CC-27990-29142
Scope and Contents Dr. Bohn writes that this "study seeks to analyze Guillaume Apollinaire's literary and artistic reception by members of the European and American avant-gardes during the early twentieth century...tracing the impact of Apollinaire's ideas as they radiated outward in increasingly larger circles from Paris...limiting the period to 1920 in Europe and 1930 in Latin America...and restricting the study to the avant garde of the major European and American nations."Bohn reviews the close relation and influence of Apollinaire to Mario de Zayas, his "calligrammes" or concrete poems as they would be denoted today, in the periodical, 291. Further, he points out that Apollinaire was first recognized in America because of 291. This book is heavily slanted to the influence of Apollinaire on Spanish and Latin American poets. Indeed, Bohn lucidly reviews the works of some obscure (to Americans) Latin American visual poets like the Mexican, Juan Tablada. -- Source of annotation: Marvin or Ruth...
Dates: 1997

Silence Silenzio ( et conversations avec Beethoven), 1998

 Item
Identifier: CC-34562-36261
Scope and Contents

This is the seventh book of the collection Contre Vers. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998