Skip to main content

Albert-Birot, Pierre

 Person

Dates

  • Existence: 1967

Found in 115 Collections and/or Records:

Poesia Concreta: indirizzi concreti, visuali e fonetici / Dietrich Mahlow, curator ; Arrigo Lora-Totino, curator ; Achleitner F ; Agnetti V ; Albert-Birot P ; Apollinaire G ; Arias-Misson A ; Azeredo R ; Belloli C ; Bense M ; Bentivoglio M ; Bory JF ; Boschi P ; Braga E ; Bremer C ; Burka J ; Calparsoro B ; DeCampos A ; DeCampos H ; Khlebnikov V ; Chopin H ; Claus CF ; Cobbing B ; Depero F ; DeVree P ; DeVries H ; Diacono M ; Dohl R ; D'Ottavi C ; Dufrene F ; Fahlstrom O ; Gappmayr H ; Garnier P ; Goeritz M ; Gomringer E ; Grogerova B ; Grunewald JL ; Bryen C ; Hains R ; Finlay IH ; Hausmann R ; Heissenbuttel H ; Higgins D ; Hirsal J ; Houedard DS ; Jandl E ; Joshi R ; Kamimura H ; Kitasono K ; Kolar J ; Kriwet F ; Lora-Totino A ; Mallarme S ; Marinetti FT ; Mayer HJ ; Mon F ; Morgan E ; Nannucci M ; Nichol bp ; Nielsen HJ ; Niikuni S ; Novak L ; Parmiggiani C ; Pignatari D ; Prochazka J ; Ritchie W ; Ruhm G ; Sanmark K ; Saroyan A ; Schauffelen KB ; Schmidt SJ ; Schwitters K ; Smith EL ; Solt ME ; Spatola A ; Steen V ; Takahashi S ; Thomkins A ; Ulrichs T ; VanDoesburg T ; Vostell W ; Williams E ; Zdanevich I ; Mahlow D., 1969

 Item
Identifier: CC-38900-40829
Scope and Contents

Both copies are missing pages 80-82 and 88-92 that do not appear to have been torn ou tof the catalogue.The missing poems are those by Jandl, Joshi, Katuje, Kolar and Kriwet. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1969

Poeta como Artista, El / Juan Manuel Bonet, curator ; Jarry A ; Cendrars B ; Albert-Birot P ; Huidobro V ; Picabia F ; Cocteau J ; Breton A ; Michaux H ; Serpan I ; Mesens E ; Fahlstrom O ; Reutersward CF ; Penrose R ; Satie E ; Magritte R ; Broodthaers M ; Cahun C ; Hugo V ; Valery P ; Apollinaire G ; Jacob M ; Albert-Birot P ; Marinetti FT ; Rognoni A ; Soggetti G ; Arp H ; Ribemont-Dessaignes G ; Charchoune S ; Schwitters K ; Hausmann R ; Caballero E ; Eluard P ; Hugnet G ; Char R ; Zurn U ; Teige K ; Zeller L ; Brossa J ; Alechinsky P ; Bryen C ; Dotremont C ; Luca G ; Sarduy S., 1995

 Item
Identifier: CC-28519-29799
Scope and Contents

Several works held by the Sackner Archive are reproduced in this exhibition catalogue. These include Apollinaire's personal handcolored copy (the Sackners also have a handcolored copy) of the Exhibition Catalogue of Leopold Survage and Irene Lagut (page 91), Angelo Rognoni's Parole in Liberta, "Bombardeo en la Costa," on page 102, Schwitters and Van Doesberg's poster, "Programa de la Kleine Dada Soiree," and Schwitters book, "Die Scheuche Marchen." Includes essays on Erik Satie and Henri Michaux among others. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

reading visual poetry / Bohn, Willard ; Albert-Birot P ; Cansinos-Asens R ; deTorre G ; Huidobro V ; Bauitista J ; delVando-Vilar I ; Raida P ; Nimero A ; Vighi F ; Quintanilla L ; Novo S ; Gonzalez deMendoza JM ; Frias JD ; Hidalgo A ; Girondo O ; Tzara T ; Breton A ; Scurto I ; Masnata P ; Crali T ; DeCampos A ; DeCampos H ; Pignatari D ; Grunewald JL ; Kac E ; Sackner MA ; Sackner RK ; Puche E ; Apollinaire G., 2011

 Item
Identifier: CC-52069-73171
Scope and Contents It should be noted that Bohn does not differentiate concrete poetry (words only in Sackner's definition) from visual poetry (integrated words and images in Sackner's definitions). Bohn also includes a chapter on digital poetry. The back cover reads the following. "Visual poetry can be defined as poetry that is meant to be seen. Combining painting and poetry, it attempts to synthesize the principles underlying each discipline. Visual poems are immediately recognizable by their refusal to adhere to a rectilinear grid and by their tendency to flout their plasticity. In contrast to traditional poetry, they are conceived not only as literary works but also as works of art. Although they continue to provide visual cues that aid in deciphering the text, they function simultaneously as visual compositions. Whether the visual elements form a rudimentary pattern or whether they constitute a highly sophisticated design, they transform the poem into a picture. Reading Visual Poetry examines...
Dates: 2011

Silence Silenzio ( et conversations avec Beethoven), 1998

 Item
Identifier: CC-34562-36261
Scope and Contents

This is the seventh book of the collection Contre Vers. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998

Silex: Poemes des Cavernes 2nd Edition / Albert-Birot, Pierre ; Zadkine O., 1966

 Item
Identifier: CC-24635-25088
Scope and Contents

This second edition which was published in August, 1966 has larger dimensions than the first edition. A drawing by Ossip Zadkine is reproduced. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1966

Silex: Poemes des Cavernes / Albert-Birot, Pierre ; Zadkine O., 1966

 Item
Identifier: CC-24636-25089
Scope and Contents

This is the first edition published in May, 1966. Drawing by Ossip Zadkine is reproduced. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1966

Silex: Poemes des Cavernes / Albert-Birot, Pierre ; Zadkine O., 1966

 Item
Identifier: CC-41166-43148
Scope and Contents

This is the first edition published in May, 1966. Drawing by Ossip Zadkine is reproduced. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1966