Scope and Contents

Auction catalog. The Sackner Archive purchased a portfolio of 10 etchings by Ossip Zadkine of Calligrams by Guillaume Apollinaire from this auction. -- Source of annotation: Marvin or Ruth Sackner.

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Auction catalogue. Kurt Benedikt was the co-director of Galerie van Dieman in Berlin and purchased the works directly from the artists between 1922 and 1925. -- Source of annotation: Marvin or Ruth Sackner.

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This catalogue was designed by Ellen Boxer. However, it is not part of the Edition Ubu series because the original owners split and only Adam Boxer now uses the Ubu name. -- Source of annotation: Marvin or Ruth Sackner.

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This exhibition featured Russian Avant Garde books and illustrations and works from the earlier World of Art movement. In this book, the items in the exhibition are described in detail, one by one. Several examples are also held by the Sackner Archive. Photographs of the works in this exhibition are black and white or black and white with red highlights. -- Source of annotation: Marvin or Ruth Sackner.

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Auction catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This exhibition catalogue of selections from the Merrill C. Berman Collection is organized into four sections: Design and the Avant-Garde; Design and Commerce; Design and Social Change; Design and Politics. In addition to Yale, the catalogue was published by Willliams College of Art and Cooper-Hewitt National Design Museum. Berman's collection is the premier graphic design collection of the 20th century works in the United States. In her introductory essay, "Writing a History," Maud Lavin points out that Berman collected with aggression and dedication for twenty years starting in 1975, shaping the history of graphic design during the period when the scholarly field of design history was emerging. Berman viewed graphic design works as objects of art, politics and cultural history. His collection "covers innovative design used in the politics of everyday life, in persuading consumers, in propagating for political causes, in redesigning ever-industrializing cultures, in papering...

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Entry 418: Claire Satin - Annotation mentions that her works are held by the Sackner collection. -- Source of annotation: Marvin or Ruth Sackner.

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Paris-Moscow was one of four major exhibitions curated and designed by the Pompidou Centre dealing with the art connections in Paris and between Paris and three other major cities in the first third of the 20th century. The other exhibitions were Paris-Berlin, Paris-New York and Paris-Paris. The Sackners attended these exhibitions in Paris and purchased these catalogues (first editions) concurrently. -- Source of annotation: Marvin or Ruth Sackner.

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Auction catalogue. -- Source of annotation: Marvin or Ruth Sackner.

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This catalogue, the most extensively illustrated book dealing with Russian avant garde books, was published to coincide with the exhibition at the Museum of Modern Art, New York. Curated by Deborah Wye and Margit Rowell, the catalogue is organized into the following sections: Transform the World! 1916-33 and Building Socialism 1924-34. The first section includes Suprematism and the Non-objective Vision, Popular Revolutionalry Imagery, Books for Children, Constructivist Graphic Design and Photography and Photomontage. The second section includes Architecture and Industry, Photography in the Service of Propaganda, Non-official Publications. The collection af Russian Avant-Garde books was a gift from the Judith Rothschild Foundation and was conceived and organized by its trustee, Harvey Shipley Miller. An outstanding, detailed web-site of the books in the exhibition is available a www.moma.org/russian/. -- Source of annotation: Marvin or Ruth Sackner.

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Auction catalogue. Included three cubo-futurist graphite drawings by Ivan Zavialov that were purchased by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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This listing of Russian & Slavic books, documents and original art has extensive annotations. Charles Vallely contributes a forward. -- Source of annotation: Marvin or Ruth Sackner.

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This exhibition travelled to the Jewish Museum in New York. The major part of the exhibition dealt with El Lissitzky's hebrew artworks. The editor was Ruth Apter-Gabriel. -- Source of annotation: Marvin or Ruth Sackner.