This document presents a superficial view of the exhibition and is more concerned with a global assessment of concrete poetry. This work is stored in the Houedard box.This dcoument consists of a three page forward by Houedard and a two page "backword" by Mishkin. -- Source of annotation: Marvin or Ruth Sackner.

Pages are uncut and in the last section, the pages are out of order. The edition of 10 copies of the special limited edition (not held by the Sackner Archive) included four watercolors by Altmann. -- Source of annotation: Marvin or Ruth Sackner.

Pages are uncut. This copy includes one drawing by Lemaitre and two drawings by Altmann in the beginning of the book that were added to the pages after its publication. The edition of 10 copies of the special limited edition (not held by the Sackner Archive) included four watercolors by Altmann. -- Source of annotation: Marvin or Ruth Sackner. Edition has glassine protective cover.

The Sackner Archive lent the majority of works to this exhibition. Curtay wrote the text for the catalogue. It includes a history and chronology if the Lettrist movement. -- Source of annotation: Marvin or Ruth Sackner.

Each internal page of the leaflet has a single, hand painted, artist stamp collaged onto it. The work was done concurrent to an exhibition "Lettrisme & Hypergraphie" held at the Galerie Stadler in 1964; the Sackner Archive holds the ordinary and deluxe edition of this catalogue. According to Frederic Acquaviva, all of the drawings were done by Jacques Spacagna including the forging of signatures. -- Source of annotation: Marvin or Ruth Sackner.

The print included in this catalogue was made by Lemaitre. -- Source of annotation: Marvin or Ruth Sackner.

The print included in this catalogue was made by Lemaitre. -- Source of annotation: Marvin or Ruth Sackner.

This brochure is virtually identical in content to the exhibition catalogue with the same title, also held by the Sackner Archive. The exceptions are the heavy paper stock which has been used for this version and its title page. The latter prints "examplaire" in this version whereas the ordinary catalogue prints the dates of the exhibition, 15 Octobre - 20 Novembre 1964. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition catalogue is virtually identical in content to the limited edition brochure with the same title, also held by the Sackner Archive. The exceptions are the light paper stock which has been used for this version and its title page. This ordinary catalogue prints the dates of the exhibition, 15 Octobre - 20 Novembre 1964 rather than "examplaire." -- Source of annotation: Marvin or Ruth Sackner.

Of particular interest in this catalogue is a glossary of definitions relating to the illustrated book on pages 65 and 66. -- Source of annotation: Marvin or Ruth Sackner.

Outstanding reference scource for underground and arcane, small press literature . -- Source of annotation: Marvin or Ruth Sackner.

The following works listed in the catalogue are held by the Sackner Archive: "L'Anguria Lirica" by Tullio D'Albisola; "Narratolgy" by Johanna Drucker; "La Septieme Face du De" by Georges Hugnet; "Abeceda" by Vitezslav Nezval; File magazine; The Enemy review; "Jonas" by Isidore Isou; "Qu'est-ce que le Lettrisme" by Maurice Lemaitre; "Pour Ainsi Dire" by Alaine Satie; "Het boek van PTT" by Piet Zwart; "Cinquieme Saison/OU" edited by Henri Chopin; "La Coeur a Barbe"; "Raw" edited by Art Spiegelman. The duplicate copy of this catalogue is an advance copy without the cover. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue lists a broad selection af artists' books and periodicals, several of which are contained in the Sackner Archive including Apeiros, L'Anguria Lirica by Tullio D'Albisola, Narrontology by Johanna Drucker, La Septieme Face du De by Georges Hugnet, I.S.C.A. Quarterly, Jonas by Isidore Isou, OU, Rhinozeros, S.M.S., Por Ainsi Dire by Alain Satie, UNI/verse(;), UR, and Het boek van PTT by Piet Zwart. -- Source of annotation: Marvin or Ruth Sackner.

Most of the Lettrist works in this profusely illustrated catalogue are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.