The layout of this issue was done by Susan Laufer. -- Source of annotation: Marvin or Ruth Sackner.

Andrews related a performance that he gave in an art gallery that involved the playing of two 1 1/2 hour simultaneous tapes, various books and sequences on tables, couple dozen, separate, written pieces on wall and a 12' x 7' wall and adjacent 9' x 12' floor taken up by 150 poem cards. He also recommends Victor Ehlich's book "Russian Formalism" for reading as he believes it is relevant to Coolidge's work. -- Source of annotation: Marvin or Ruth Sackner.

Andrews states that this book is divided into three sections. "The first, POSITION, sets out an overall personal perspective in a sequence of summary statements on poetics, ending with efforts to drive the question of meaning into a trajectory of social embodiment, dialog, & resistance. The second, VERB, offers a parallel record of interviews & symposia responses on a clutch of related themes, with an eye toward recharting the 'socially possible' through language & (more) radical praxis. And the third, BODY, makes a mosaic out of pieces on a variety of postwar English-language poetries & matters up for grabs in reading (& thus personally reconvening & rewriting) them." -- Source of annotation: Marvin or Ruth Sackner.

This catalogue provides a listing of current books in stock with annotations. -- Source of annotation: Marvin or Ruth Sackner.

This book is an anthology of the first three volumes of the magazine "L=A=N=G=U=A=G=E" that were published in 1978. It is stored with the original issues of "L=A=N=G=U=A=G=E." -- Source of annotation: Marvin or Ruth Sackner.