The seven folders consist of a drawing by each artist and a sheet of tissue, numbered and rubberstamped with capital letters. Andryczuk's drawings are on the outside of the folded sheet and Scherstjanol's ink drawings are inside with the tissue papers between. The colophon is a collaboration of both artists. -- Source of annotation: Marvin or Ruth Sackner.

The line drawings are placed one to a page. -- Source of annotation: Marvin or Ruth Sackner.

The text of this book appears to be done either as automatic writing or as an adaptation of a cut-up from another text in the style of William Burroughs. Typewritten poems in red color and Spanish poems in black letraset form this text. The stiff pages are taken fom line printers that have regular perforations on the edges. The tipped-in drawings in laminated plastic depict surrealistic figures and abstractions are placed on black stock paper; they appear to be cut-up fragments of larger drawings. A laminated drawing by Jan Voss is tipped-in to the final page. The covers are covered front and back with flame-like design papers. The inside front cover end paper is a psychedelic poster from the movie "Moby Dick." -- Source of annotation: Marvin or Ruth Sackner.

The drawings and rubberstampings are done on pages of brown wrapping paper. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue documents an exhibition of works from small presses in Germany including Hybriden-Verlag. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue documents an exhibition of works from small presses in Germany including Hybriden-Verlag. -- Source of annotation: Marvin or Ruth Sackner.

Each page was printed from drawings done directly on zinc plates. -- Source of annotation: Marvin or Ruth Sackner.

There is no English identification nor illustrations in this book. -- Source of annotation: Marvin or Ruth Sackner.

Some of the works have been recycled, e.g., a drawing by Knistoff dated 1988 is included in this work which was a collaboration by the two authors. The binding includes two paper handles at its top which gives a shopping bag appearance to it. The paper has the color of a brown printed paper bag. The story begins with a visit to Anna Frank's in Amsterdam: to inspect "the diaries behind the wall" and ends with the perspective of "the diaries before the wall." -- Source of annotation: Marvin or Ruth Sackner.

The catalogue of the 1st exhibition is also held by the Sackner Archive. The book includes a section devoted solely to Paper and Bookworks of Robin Ami Silverberg. -- Source of annotation: Marvin or Ruth Sackner.

The writings and drawings in this book are a collaborative effort between the two authors. Although the tirage is four copies, each book is unique. The cover design depicts markings from the skin of a cow. A toy cow with propellers on each side is attached to the top of the rear cover by means of bent metal tubing. -- Source of annotation: Marvin or Ruth Sackner.

This is the catalogue for the International Students, Competition for the Gutenberg Year 2000 in Mainz, Germany. The exhibition was organized by Ulrike Stoltz, who also contributed one of the fifteen essays related to printing, artists books and typography. -- Source of annotation: Marvin or Ruth Sackner.

This book is is the third in a series designated, "Gold & Solid Artist Production." -- Source of annotation: Marvin or Ruth Sackner.

This book consists of reproductions of found pages of heraldic illustrations, ink drawings on graph paper by Andryczuk, reproductions of old Germanic engravings and abstract drawings on chemistry texts by Knistoff. The drawing by the two artists consists of an offset printed page of German heralds with over-painted black and silver abstract figures . -- Source of annotation: Marvin or Ruth Sackner.

The book consists of ideographic drawings in Andryczuk's typical style. The drawings continue over the edge of the page providing a scroll-like continuity. -- Source of annotation: Marvin or Ruth Sackner.

The backgrounds of several drawings are old postcards. Konstriktors's work is mounted on beige and Andryczuk's on cream color paper. the four drawings within the envelope were done with watercolor, magic marker, and rubberstamping. -- Source of annotation: Marvin or Ruth Sackner.

This final issue mainly collates out-of-date books, literature and records. For example, it has a fascicle on embryology from a Handbook of Biology, an envelope containing dental records from a patient recorded in 1980, an x-ray of an apical view of the lungs taken in 1953, a blueprint and a photocopied print made in 1990 and 1992 for a house, and computerized bills for medications in 1996. The style of Andryczuk's periodical, Teraz Mowie, was used for a book included in this issu -- Source of annotation: Marvin or Ruth Sackner.