Scope and Contents

The writings and drawings in this book are a collaborative effort between the two authors. Although the tirage is four copies, each book is unique. The cover design depicts markings from the skin of a cow. A toy cow with propellers on each side is attached to the top of the rear cover by means of bent metal tubing. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is the catalogue for the International Students, Competition for the Gutenberg Year 2000 in Mainz, Germany. The exhibition was organized by Ulrike Stoltz, who also contributed one of the fifteen essays related to printing, artists books and typography. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book is is the third in a series designated, "Gold & Solid Artist Production." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

All the color illustrations of Andryczuk's drawings are tipped onto the pages. The prints and drawing are housed in an insert on the inside of the back cover. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book consists of reproductions of found pages of heraldic illustrations, ink drawings on graph paper by Andryczuk, reproductions of old Germanic engravings and abstract drawings on chemistry texts by Knistoff. The drawing by the two artists consists of an offset printed page of German heralds with over-painted black and silver abstract figures . -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The book consists of ideographic drawings in Andryczuk's typical style. The drawings continue over the edge of the page providing a scroll-like continuity. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Andryczuk used found, antique sheet music as a the surface for his visual poetic, surrealistic drawings and collages. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The backgrounds of several drawings are old postcards. Konstriktors's work is mounted on beige and Andryczuk's on cream color paper. the four drawings within the envelope were done with watercolor, magic marker, and rubberstamping. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This final issue mainly collates out-of-date books, literature and records. For example, it has a fascicle on embryology from a Handbook of Biology, an envelope containing dental records from a patient recorded in 1980, an x-ray of an apical view of the lungs taken in 1953, a blueprint and a photocopied print made in 1990 and 1992 for a house, and computerized bills for medications in 1996. The style of Andryczuk's periodical, Teraz Mowie, was used for a book included in this issu -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The title of this book is "System Error" and refers to the September 11 catastrophe at the World Trade Center. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This exhibition featured Ebel's text collaged objects as well as Artist Books and the contents of four issues of miniature obscure (edited by Ebel). -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This unique book was shown at an exhibition at Galerie 13 in Hannover, Germany from January 19 - February 24, 1996. Indeed, a catalogue reproducing the works in this book is included in a folder within the book; a brochure announcing the exhibition is also included. The book is divided into five parts, three in the first part and two in the second part of the dos-a-dos design. The first part includes Andryczuk's "Cosmographic Poetry and Art." This consists of 18 pages of rubberstamped images like an accordion and a stylized sun figure with a single letter in colored ink alongside the image. In addition, there are four pages of rubberstamped bees and drawn ink and gold figures and letters on commercially printed material.The second section entitled, "Letters for myself" consists of 18 pages of airmail envelopes collaged onto a white page which has been rubberstamped, "KOPIA" at the top and 030495 at the bottom. The envelopes are rubberstamped with an image of a Scuba diver and a...

Scope and Contents

The first 75 postcards are generally ones that Andryczuk addressed to himself; he titled them the "Lobo 1998" cards. Therafter, the project becomes collaborative with other poets and artists. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This work consists of a a painted box with two bookshelves and a horizontal compartment within its center divide. It houses 10 folders holding large, handmade postcards usually from thick cardboard or fragments of hard cover bookbindings. The hard cover book documents the project, annotates the postcards, and depicts photocopied colored reproductions of one side of all the postcards. The folders hold the original postcards No.1-166 between Freddy Flores Knistoff and Harmut Andryczuk, No.167-247 between Wolf Rosenthal and Harmut Andryczuk, No.248-276 between Harmut Andryczuk and Wolf Rosenthal, No.277-298 between Harmut Andryczuk and Pierre Garnier and between Pierre Garnier and Harmut Andryczuk, and No.299-339 between Harmut Andryczuk and Freddy Flores Knistoff. The writer is identified through a symbol assigned to each. Further, Wolf Rosenthal signature on his postcards often is "lobo." The content of several cards is political dealing with the conflict in Kosovo. The edition of...

Scope and Contents

This catalogue also lists the issues of Teraz Mowie, a periodical held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This catalogue lists and describes all issues of Entwerter/Oder, the Assembling periodical edited by Warnke. It begins with the first issue that was published in 1982. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This catalogue lists and describes all issues of Entwerter/Oder, the Assembling periodical edited by Warnke. It begins with the first issue that was published in 1982. The black and white photograph in the book by Thomas Gunther is a portrait of Warnke reading from one of his texts; it was made by Thomas Gunther. -- Source of annotation: Marvin or Ruth Sackner.