This is the catalogue for the International Students, Competition for the Gutenberg Year 2000 in Mainz, Germany. The exhibition was organized by Ulrike Stoltz, who also contributed one of the fifteen essays related to printing, artists books and typography. -- Source of annotation: Marvin or Ruth Sackner.

This book is is the third in a series designated, "Gold & Solid Artist Production." -- Source of annotation: Marvin or Ruth Sackner.

Card mailed to Marvin Sackner with a drawing of Sackner's imagined portrait by Andryczuk. -- Source of annotation: Marvin or Ruth Sackner.

All the color illustrations of Andryczuk's drawings are tipped onto the pages. The prints and drawing are housed in an insert on the inside of the back cover. -- Source of annotation: Marvin or Ruth Sackner.

Cards and objects of the same dimensions are stacked between two square, thick wooden plywood boards that are held together by two long screws with flanged nuts. The word "between" is printed on the cover board and blind embossed on the dividing handmade thick paper sheets. Most of the artwork relates directly to the theme of this assembling, e.g., 'zwischen' in German, 'between' in English. This theme is expressed in both verbal and visual images. -- Source of annotation: Marvin or Ruth Sackner.

Cards and objects of the same dimensions are stacked into a pyramid shaped, brightly printed, colored box. The artists and poets contributed one or several pieces to this assembling. The ceramic object made by Axel Fabry is a replica of a sunny-side up egg. The booklet is made like a sandwich. All other sheets relate to the theme of food. -- Source of annotation: Marvin or Ruth Sackner.

This book consists of reproductions of found pages of heraldic illustrations, ink drawings on graph paper by Andryczuk, reproductions of old Germanic engravings and abstract drawings on chemistry texts by Knistoff. The drawing by the two artists consists of an offset printed page of German heralds with over-painted black and silver abstract figures . -- Source of annotation: Marvin or Ruth Sackner.

The book consists of ideographic drawings in Andryczuk's typical style. The drawings continue over the edge of the page providing a scroll-like continuity. -- Source of annotation: Marvin or Ruth Sackner.

Andryczuk used found, antique sheet music as a the surface for his visual poetic, surrealistic drawings and collages. -- Source of annotation: Marvin or Ruth Sackner.

The backgrounds of several drawings are old postcards. Konstriktors's work is mounted on beige and Andryczuk's on cream color paper. the four drawings within the envelope were done with watercolor, magic marker, and rubberstamping. -- Source of annotation: Marvin or Ruth Sackner.

This final issue mainly collates out-of-date books, literature and records. For example, it has a fascicle on embryology from a Handbook of Biology, an envelope containing dental records from a patient recorded in 1980, an x-ray of an apical view of the lungs taken in 1953, a blueprint and a photocopied print made in 1990 and 1992 for a house, and computerized bills for medications in 1996. The style of Andryczuk's periodical, Teraz Mowie, was used for a book included in this issu -- Source of annotation: Marvin or Ruth Sackner.

This book which is also designated InterWall Nr. 6, mainly lists the word 'OST' as parts of other words or phrases. -- Source of annotation: Marvin or Ruth Sackner.