Scope and Contents

The first 75 postcards are generally ones that Andryczuk addressed to himself; he titled them the "Lobo 1998" cards. Therafter, the project becomes collaborative with other poets and artists. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This work consists of a a painted box with two bookshelves and a horizontal compartment within its center divide. It houses 10 folders holding large, handmade postcards usually from thick cardboard or fragments of hard cover bookbindings. The hard cover book documents the project, annotates the postcards, and depicts photocopied colored reproductions of one side of all the postcards. The folders hold the original postcards No.1-166 between Freddy Flores Knistoff and Harmut Andryczuk, No.167-247 between Wolf Rosenthal and Harmut Andryczuk, No.248-276 between Harmut Andryczuk and Wolf Rosenthal, No.277-298 between Harmut Andryczuk and Pierre Garnier and between Pierre Garnier and Harmut Andryczuk, and No.299-339 between Harmut Andryczuk and Freddy Flores Knistoff. The writer is identified through a symbol assigned to each. Further, Wolf Rosenthal signature on his postcards often is "lobo." The content of several cards is political dealing with the conflict in Kosovo. The edition of...

Scope and Contents

This catalogue also lists the issues of Teraz Mowie, a periodical held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Documents prior issues of Teraz Mowie. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Includes major listings of works by Dieter Roth and Jan Voss. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This catalogue lists the artists and depicts their visual poems in a contest for the best works. The winners were Gerhild Ebel, Reinhard Klessinger, and Axel Georg Malik; works by all of these artists are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The small soft cover book is the catalogue for the exhibition that was curated by Uwe Warnke. The large soft cover book consists of contributions from the exhibitors that differ in imagery from those works which were shown. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The title of this book in English is "Why Adolf Hitler has not become an Artist." Each of the contributing artists/poets answers this question with one or more drawings or poems. For example, Olbrich writes a sentence,"? -- It's a true story." Garnier provides three ink drawings of caricatures of Hitler that focus on his prominent facial features, his moustache and hair swept to one side. They are captioned, espressionismus, Hil Heitler, and entartete Kunst. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This catalogue lists and describes all issues of Entwerter/Oder, the Assembling periodical edited by Warnke. It begins with the first issue that was published in 1982. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This catalogue lists and describes all issues of Entwerter/Oder, the Assembling periodical edited by Warnke. It begins with the first issue that was published in 1982. The black and white photograph in the book by Thomas Gunther is a portrait of Warnke reading from one of his texts; it was made by Thomas Gunther. -- Source of annotation: Marvin or Ruth Sackner.