Antin, David
Person
Dates
- Existence: 1932-02-01 - 2016-10-11
Found in 10 Collections and/or Records:
No.83: Modern Literature / Anacapa Books ; Antin D ; Burroughs WS ; Cinicolo-3 D ; Crombie J ; Hirschman J ; Pelieu C ; Queneau R ; Rothenberg J ; Warhol A ; Beckett S ; Cage J ; Filliou R ; Jess ; Merton T ; Michaux H ; Mathews H ; Rothenberg J., 1992
Item
Identifier: CC-26437-26906
No.197: Literature / Asphodel Book Shop ; Antin D ; Cendrars B ; Creeley R ; cummings ee ; Cutts S ; Davenport G ; Dawson F ; Dienst KP ; Lax R ; levy da ; Rothenberg J ; Porter B ; Thomas D ; Williams J., 2001
Item
Identifier: CC-36257-38047
Some/Thing. No.4-5/Sum / David Antin, Jerome Rothenberg, editors ; Antin D ; Arp H ; Berge C ; Blackburn P ; Corner P ; Dowden G ; Edson R ; Eigner L ; Eshleman C ; Hollo A ; Kaprow A ; MacLow J ; Ossman D ; Rothenberg J ; Schwerner A ; Wakoski D ; Waldrop R ; Maciunas G., 1968
Item
Identifier: CC-29723-31100
Scope and Contents
Cover was designed by George Maciunas. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1968
Unoriginal Genius: Poetry by Other Means in the New Century / Perloff, Marjorie ; Adorno T ; Andrews B ; Antin D ; Barthes R ; Bayard C ; Beckett S ; Bee S ; Benjamin W ; Bense M ; Bernstein C ; bissett b ; Cage J ; DeCampos A ; DeCampos H ; Chopin H ; cummings ee ; Debord G ; Donguy J ; Dworkin C ; Fahlstrom O ; Finlay IH ; Goldsmith K ; Gomringer E ; Jandl E ; MacLow J ; Mallarme S ; Marinetti FT ; Perec G ; Pignatari D ; Silliman R ; Wittgenstein L ; Nadar ; Khlebnikov V ; Howe S., 2010
Item
Identifier: CC-52165-73284
Scope and Contents
Dust jacket description: What is the place of individual genius in a global world of hyper-information"” a world in which, as Walter Benjamin predicted more than seventy years ago, everyone is potentially an author? For poets in such a climate, "originality" begins to take a back seat to what can be done with other people's words"”framing, citing, recycling, and otherwise mediating available words and sentences, and sometimes entire texts. Marjorie Perloff here explores this intriguing development in contemporary poetry: the embrace of "unoriginal" writing. Paradoxically, she argues, such citational and often constraint-based poetry is more accessible and, in a sense, "personal" than was the hermetic poetry of the 1980s and 90s.Perloff traces this poetics of "unoriginal genius" from its paradigmatic work, Benjamin's encyclopedic Arcades Project, a book largely made up of citations. She discusses the processes of choice, framing, and reconfiguration in the work of Brazilian...
Dates:
2010