With the exception of the signatures of the authors, this limited edition does not differ from the ordinary edition. The added price was set to subsidize the publication of the trade edition of the book. -- Source of annotation: Marvin or Ruth Sackner.

In this book, Antin mentions that he considers his "Talking" works as poems. He also adds that some of them classified as concrete poems depending upon their layout on the page. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Pierre Joris, this book was a festschrift for Jerome Rothenberg on the occasion of his sixtieth birthday. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue deals with poetry and literary ephemera (A-L). The folder/cover depicts an offset image of eye patterns. -- Source of annotation: Marvin or Ruth Sackner.

This volume is the first collection of Rothenberg's poetic writings and includes ideas and excerpts from his books and essays. Rothenberg indicates that Abulalfia (1240-c.1291) himself writes of the abstracting/spiritualizing process which he then employs & by which the world is apprehended as language/sound: "Know that the method of tseruf (the combination of letters) can be compared to music; for the ear hears sounds from various combinations,in accordance with the character of the melodu & the instrument. In touch with yogic currents fgrom the East, Abulafia's intention was mantric, but his practice of a systemic & concrete poetry also closely resembles the 20th century Lettrisme of Isidore Isou, the asymmetries & nuclei of Jackson Mac Low & the blues Kabbalah improvisions of Jack Hirschman, all of whom he may have influenced. -- Source of annotation: Marvin or Ruth Sackner.