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Bohn analyzes Apollinaire's exhibition catalog dealing with Leopold Survage and Irene Lagut using calligrams of prose as the vehicle for his critique. Bohn is especially intrigued with the rare handcolored edition of the catalog that he mentions is owned by the Columbia University rare book collection; it was the only copy he was able to find. Just after publication of his book, Bohn visited the Sackner Archive and learned of its handcolored edition - too late to include in the book. -- Source of annotation: Marvin or Ruth Sackner.

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Four constructivist drawings were done by Ruth Pettis. -- Source of annotation: Marvin or Ruth Sackner.

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Four constructivist drawings were done by Ruth Pettis. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This Archive solely contains letters from Bill Zavatsky. Wikipedia: Bill Zavatsky (born 1943 Bridgeport, Connecticut) is an American poet, journalist, jazz pianist, and translator. Zavatsky could be described as a second-generation New York School poet, influenced by such writers as Frank O'Hara and Kenneth Koch. (Koch was his professor at Columbia University.) In addition to the wry humor typical of the New York School, Zavatsky adds to his poetry an emotional poignancy that gives it additional depth. Zavatsky grew up in a working-class family in Bridgeport, Connecticut. His father was a mechanic who owned a garage. Zavatsky was the first member of his family to graduate from a four-year college. He attended Columbia University, where his fellow students included a dynamic cohort of budding writers, such as Phillip Lopate, Ron Padgett, and David Shapiro. Zavatsky's artistic influences include the jazz pianist Bill Evans, whom Zavatsky got to know late in the musician's...

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Publication lists partial holdings of the collection. -- Source of annotation: Marvin or Ruth Sackner.

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This book was edited by Aimee Selby. Two works of Tom Phillips held by the Sackner Archive are depicted in this book: the Painting 'Here We Exemplify' on page 18 and the print of the Humument Page 6 drawing on page . -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents The use of written language has been one of the most defining developments in visual art of the twentieth century. 'Art and Text' is a unique and timely survey of this most contemporary and relevant artistic tool, tracing the relationship between language and art, from early experiments with pictorial poetry, Futurist typography and Cubist collage, through Conceptual practices to the present day...'Art and Text' documents and contextualises the fascinating relationship between word and image, showcasing the many artists who continue to use text and expand its possibilities. The book contains an forward and three essays. In the first essay, The Schwitters Legacy: Language and Art in the Early Twentieth Century by Will Hill, the author uses the reproduction of the painting "Here We Exemplyfy" by Tom Phillips which is held by the Sackner Archive. Hill writes that Larry Rivers, Jim Dine and Jasper Johns use of stencilled letters "prefigured the finely articulated dialogue between word...

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Petrus Apianus' illustrated book, "Astronomicum Caesareum" (1540) is depicted and described. The Sackner Archive holds a facsimile edition of this work. The catalogue entry of this original masterpiece states: "This copy is a magnificent example of 16th-century bookmaking. The Astronomicum Caesareum contains a broad analysis of Ptolemaic astronomy and is notable for Apianus's pioneering observations on comets, particularly his discovery that comets always point their tails away from the sun. The elaborate folio includes more than 100 woodcut and typographic diagrams, vignettes and illustrations in the text, many with movable type." -- Source of annotation: Marvin or Ruth Sackner.

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This book lists artists' books mainly from England, America and Germany by the year of publication. The books form the collection of the Library of the Chelsea School of Art (now the Chelsea College of Art and Design). Essays explore the history of b arts, Mallarme and Broodthaers, Russian Futurist book, Fluxus books, minimalist and conceptual books, feminist books and book collecting. A chronology, glossary and index provide reference material. Many books are also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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Clive Phillpot contributed an essay, "Reading Artists' Books," in which he wrote that "Visual artists have explored and exploited the nature and structure of the book. both in former times and with renewed vigor more recently, with the result that the book has come to be appreciated widely as an extremely fruitful and subtle multidimensional means for the transmission of human experience. In addition, artists have come to demand of their readers that they develop their ability to utilize various forms of reading, whether retinal or tactile, whether linear, peripheral, oscillatory, or random, in order to be able to engage fully with the content embedded in each book." Books by Carothers, Ligorano, and Mabe were lent to this exhibition by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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Auction catalogue. -- Source of annotation: Marvin or Ruth Sackner.

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Auction catalogue. -- Source of annotation: Marvin or Ruth Sackner.

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Auction catalogue. -- Source of annotation: Marvin or Ruth Sackner.

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Auction catalogue. -- Source of annotation: Marvin or Ruth Sackner.

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Auction catalogue. -- Source of annotation: Marvin or Ruth Sackner.

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Auction catalogue. -- Source of annotation: Marvin or Ruth Sackner.

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This book provides a densely illustrated, overview of avant garde page design from 1900 to 1950. -- Source of annotation: Marvin or Ruth Sackner.