Scope and Contents

The catalogue began with an historical introduction to text based works and included reproduced images of 20th century artists whose works are held by the Sackner Archive such as Apollinaire, Marinetti, Sabatier, Indiana, Kriwet, Augusto de Campos, Furnival, Finlay, Gomringer, Klaus-Peter Dienst, and Schuldt. The exhibition itself featured several artists whose works are held by the Sackner Archive, viz., Barton Lidice Benes, Howard Finster, Werner Hartmann, Stephanie Brody Lederman, Betty Tompkins, Regina Vater -- Source of annotation: Marvin or Ruth Sackner.

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Consists of an introduction into the history of concrete Poetry. -- Source of annotation: Marvin or Ruth Sackner.

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This exhibition was curated by Enrico Baj, Vincenzo Accame and Enuli Brunella. The Sackners saw this show in Milan and purchased works exhibited by Roberto Sanesi and Vincenzo Accame (pp125-126). -- Source of annotation: Marvin or Ruth Sackner.

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This article reviews the Cocteau exhibition at the Pompidou Center in Paris; the Sackners attended that show. -- Source of annotation: Marvin or Ruth Sackner.

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Luiggi used the initial 'E.' for his surname in this catalogue. -- Source of annotation: Marvin or Ruth Sackner.

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Ths Sackner Archive holds a signed photographic print of a poem reproduced on page 24. -- Source of annotation: Marvin or Ruth Sackner.

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The thesis of this book is that Concrete Poems can e a basis for the learning of a forfeign language. -- Source of annotation: Marvin or Ruth Sackner.

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Auction catalogue. -- Source of annotation: Marvin or Ruth Sackner.

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Auction catalogue. -- Source of annotation: Marvin or Ruth Sackner.

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Auction catalog. Includes a large section on the works of Hap Grieshaber. -- Source of annotation: Marvin or Ruth Sackner.

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The book reproduces 17 colored photomontages done by Rozkov in 1924 to illustrate Mayakovsky's poem, "To the Workers of Kursk who Extracted the First Ore - A Provisional Memorial of the Work of Vladimir Mayakovsky." These photomontages were included in an exhibition of Rozkov's work in 1930. Nothing is known about Rozkov's life. This book is stored on one of the 'M' shelves. Not listed in any library on the internet (2012). Includes an introductory essay by Vladimir Remes. Translation of Mayakovsky's 1923 poem into Czech by Jiri Taufer. Yuri Rozhkov, a student at the Vkhutemas State High School for Art and Design created the included color photomontages using lines from Mayakovsky's poem and presented them to the artist. They were included in Mayakovsky's 1928 exhibition "Twenty Years of Work." The original of the montages are currently housed in the collection of the State Literary Museum, Moscow. -- Source of annotation: Marvin or Ruth Sackner.

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This exhibition is a tribute to the fine typographic press of Jean-Jacques Sergent. Didier Mutel has contributed 15 aquatints to " Amok" by Stefan Zweig. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This book is subtitled "La Figuration dans l'alphabet latin du huitieme siecle a nos jours." Raymond Queneau contributed a preface. This is a new and augmented edition with the dust jacket cover by Andre Francois. The anthology, with text by Massin, is divided into three main sections. The first section is a discussion of the letter itself, the letter as symbol and the history of letters. The next section contains figurative verse and calligrams, shaped poetry and prose throughout history. The final section of the book examines the use of letters in fine art and how the letter form has grown in importance throughout the history of art. The diverse illustrations are international in scope and range from early Christian prayer books and Gothic alphabets to contemporary works.On the title page, the caption that this is a new and expanded edition appears; the first edition was published in 1970. The dust jackets differ between the two second editions. -- Source of annotation: Marvin or...

Scope and Contents This book is subtitled "La Figuration dans l'alphabet latin du huitieme siecle a nos jours." Raymond Queneau contributed a preface. The dust jacket has an illustration by Folon. The antholgy, with text by Massin, is divided into three main sections. The first section is a discussion of the letter itself, the letter as symbol and the history of letters. The next section contains figurative verse and calligrams, shaped poetry and prose throughout history. The final section of the book examines the use of letters in fine art and how the letter form has grown in importance throughout the history of art. The diverse illustrations are international in scope and range from early Christian prayer books and Gothic alphabets to contemporary works.The dust jacket of this copy is frayed at the top. The caption on the other copy of this book does not indicate that this is a second edition; however, the first edition was published in 1970 not 1973 as in this edition. he dust jackets differ...

Scope and Contents

Carumuel emerges in this book as the strongest practitioner of pattern poetry. -- Source of annotation: Marvin or Ruth Sackner.

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This catalague includes teo facsimiles of Apollinaire's writing. -- Source of annotation: Marvin or Ruth Sackner.