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Artaud, 1941-

 Person

Found in 69 Collections and/or Records:

Retrospectiva. Obras 1954-2004 / Ferrari, Leon ; Camnitzer L ; Artaud A., 2004

 Item
Identifier: CC-44919-47091
Scope and Contents This is a massive, profusely illustrated catalogue with extensive documentation. The WEB site of this exhibition states: The exhibition of Leon Ferrari is a retrospective one that includes fifty years of his work, from the beginnings, in 1954, until the present. It presents a sample of works of different periods with the purpose of unfolding the creative process of the artist. The exhibition does not include the totality of its works, but a selection of each series or creative moment. If in the retrospective exhibition of an artist a period of its work were eliminated, it would be being been clipping or censuring his production. Leon Ferrari is expressed in a poetic and controversial sense. His creations explore the possibilities of the plane, the space and the meaning with drawings, sculptures, collages, brailles and objects. In them, he uses metals, inks, pencils, engravings, heliografi­as, dummies, bottles, birds, fish, excrements, images, reliefs in brailles, videos. As much...
Dates: 2004

Retrospectiva. Obras 1954-2006 / Ferrari, Leon ; Camnitzer L ; Artaud A., 2006

 Item
Identifier: CC-46084-48793
Scope and Contents This massive, profusely illustrated catalogue with extensive documentation is a reprint of Leon Ferrari retrospective catalogue of 2004 with additions to bring it up to 2006. The catalogue has been translated from Spanish into Portuguese and was edited by Andrea Giunta. It presents a sample of works of different periods with the purpose of unfolding the creative process of the artist. The exhibition does not include the totality of its works, but a selection of each series or creative moment. If in the retrospective exhibition of an artist a period of its work were eliminated, it would be being been clipping or censuring his production. Leon Ferrari is expressed in a poetic and controversial sense. His creations explore the possibilities of the plane, the space and the meaning with drawings, sculptures, collages, brailles and objects. In them, he uses metals, inks, pencils, engravings, heliografi­as, dummies, bottles, birds, fish, excrements, images, reliefs in brailles, videos....
Dates: 2006

Semina Culture / Duncan, Michael, editor ; McKenna, Kristine, editor ; Berman W ; Antin E ; Artaud A ; Breton A ; Burroughs WS ; Cage J ; Conner B ; Corso G ; DiPrima D ; Duchamp M ; Duncan R ; Ernst M ; Falk A ; Ferlinghetti L ; Foulkes L ; Ginsberg A ; Herms G ; Hirschman J ; Jarry A ; Jess ; Johns J ; Johnson R ; Kaufman B ; Lamantia P ; MacLow J ; Malanga G ; Mayakovsky V ; McClure M ; Meltzer D ; Olson C ; Patchen K ; Reed J ; Rosenthal R ; Sackner MA ; Sackner RK ; Schneemann C ; Williams J ; Perkoff S ; Bukowski C ; Bremser R ; Kaufman B ; Sor Juana Ines de la Cruz ; Altoon J ; Miller H., 2005

 Item
Identifier: CC-44287-46417
Scope and Contents This book was published on the occasion of the exhibition organized by the Santa Monica Museum of Art. The Sackners are mentioned in the chapter on Jack Hirschman stating that "his visual work has been extemsively collected by the Marvin and Ruth Archive of Concrete and Visual Poetry in Miami Beach." Michael Duncan describes Wallace Berman as "a key under-recognized artist of his generation...an enigmatic, underground figure whose colllages and assemblages articulate an important strand of dark spirituality in postwar American culture." Descriptions and illustrated works and a biography of each member of the circle contribute an important body of work to the understanding of this group. the book also includes an in depth analysis of Semina, Wallace's journal that is "a fragmentary guidebook to alternative modes of thinking, living, and art making...based on a romantic embrace of mysticism, individualism, and domesticity." The catalogue also includes an illustrated chronology from...
Dates: 2005

The Colour of Everything / Heart Fine Art ; Aragon L ; Andre C ; Artaud A ; Audiberti J ; Breton A ; Eluard P ; Jorn A ; Peret B ; Acconci V ; Art & Language ; Beuys J ; Buren D ; Darboven H ; Garnier P ; Knizak M ; Kosuth J ; Nauman B ; Ruscha E ; Weiner L., 2002

 Item
Identifier: CC-38887-40813
Scope and Contents

Consists of 2 lists: part 1 - Apparently the Known Universe Is Not in Turquoise after All and part 2 - In Fact the Cosmorama is Clothed in Beige. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2002

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Subject
Conventional poetry 18
Surrealism 15
Visual art 15
Conventional fiction 12
Dada 10