This is a catalogue of works being sold by an Italian collector, Mauro Corinaldi in Milan, whom the Sackners know. -- Source of annotation: Marvin or Ruth Sackner.

A collage held by the Sackner Archive is depicted on page 162. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue features Balestrini's collages and ink jet prints on varied media from 1961 to 2006. Balestrini's collage entitled "SOS" (1964) that is held by the Sackner Archive is depicted on page 162. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue features Balestrini's collages and ink jet prints on varied media from 1961 to 2006. Balestrini's collage entitled "SOS" (1964) that is held by the Sackner Archive is depicted on page 162. -- Source of annotation: Marvin or Ruth Sackner.

The book consists of reproductions of 40 facial portraits of poets using black and white polaroid photographs on the right sided pages and 40 holographic poems on the left sided pages. -- Source of annotation: Marvin or Ruth Sackner.

This work features outstanding ink jet concrete poetry prints on cloth and cards and three dimensional concrete poetry works dated 2001 and concrete poetic collages dating in the 1960's. The themes are anti-war and political. -- Source of annotation: Marvin or Ruth Sackner.

The collage composed of different typefaces and dimensions dealing with a political theme is typical of Balestrini's ouevre in the early sixties which has been much reproduced in concrete poetry anthologies of its early period. It is reproduced on page 162 of his 2006 exhibition catalogue, "Con gli occhi del linguaggio." -- Source of annotation: Marvin or Ruth Sackner.

The chapters dealing with the world-wide concrete poetry movement include Experimental Poetry and Poetic Experiences, Technical Styles, Alphabets and Calligraphy, Silences of Movement, Constellation, Text/Surface, and Bibliography. This is the 2nd expanded edition of the original published in 1969. -- Source of annotation: Marvin or Ruth Sackner.