This catologue includes facsimile examples of Finlay's poems, a bibliography, a list of works in the exhibition together with prices, and a history of the Wild Hawthorne Press. -- Source of annotation: Marvin or Ruth Sackner.

These documents include an essay by Thomas A. Clark on Finlay's controversial sculpture, OSSO at ARC in 1987 that included the logo of the Waffen SS. This work was considered by Art Press, a Parisian based journal as being pro-Nazi whereas Clark argues that it is anti-Nazi. They includes a copy of a protest letter on Finlay's behalf by Sol Lewitt to Jack Lang, the French cultural minister. Stephen Bann contributes a critical essay on Finlay's proposal for a revolutionary garden in Vers -- Source of annotation: Marvin or Ruth Sackner.

This is the obiturary of Houedard, born February 16, 1924, died January 15, 1992. -- Source of annotation: Marvin or Ruth Sackner.

Hans Richter contributes "In Memory of Marcel Duchamp." Mark Hedden continues the series on BMC with "Notes on Theatre at Black Mountain College." The magazine Kulture, published by Lita Hornick, is indexed. -- Source of annotation: Marvin or Ruth Sackner.

This document presents a superficial view of the exhibition and is more concerned with a global assessment of concrete poetry. This work is stored in the Houedard box.This dcoument consists of a three page forward by Houedard and a two page "backword" by Mishkin. -- Source of annotation: Marvin or Ruth Sackner.

Letter concerns S. Bann's gift to E. Gomringer of four cards of his work which are also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Bann discusses Furnival organizing transportation of "Clyne" constructions, vowel screens, three columns, Ed Wright's "Four Sails" glass, "Ajar" wooden construction, "Ark/Arc" in plastic...[and] column with "Wave/Wave" to Nottingham, and the possibility of using Mayer's "Ampersands" for a wall or outdoor display. -- Source of annotation: Marvin or Ruth Sackner.

Letter concerns setting up, transporting and caring for Furnival's work at the first Brighton Festival as well as asking for an indication of the arrangement of Furnival's panels and whether Houedard could associate with the project. -- Source of annotation: Marvin or Ruth Sackner.

Bann thanks Furnival for typographical material and requests use of two designs in the Alan Ross anthology. Bann asks that Furnival consider an outdoor rather than an indoor site for his installation at the Brighton Festival. -- Source of annotation: Marvin or Ruth Sackner.

Letter discusses catalogue and guide for the Brighton Festival exhibition; asks whether Furnival is in possession of "Arc/Ark" piece and whether Furnival's "Ajar" piece is "still in an exhibition-worthy state." -- Source of annotation: Marvin or Ruth Sackner.

Bann reports damage to the screen of Furnival's installation at the Brighton Festival. -- Source of annotation: Marvin or Ruth Sackner.

This depicts a photograph of a sundial sited at the museum. The drawing for this work is also held by the Sackner Archive. The motto refers to the fact that it is the "golden sun" that is the origin of the shadow which indicates the solar hour. This work is also depicted in Bulletin of the National Galleries of Scotland No.3, a pamphlet periodical held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This typed message continues "mrs sharkeys book is EXCELLENT" -- Source of annotation: Marvin or Ruth Sackner.