This catalogue consists entirely of a critical essay by Stephen Bann on Finlay's works dealing with the French Revolution. The cover is red paper stock, the end papers are blue paper stock, and the text is printed on white paper stock, e.g., the French tricolor flag. -- Source of annotation: Marvin or Ruth Sackner.

Photographs of bronze sculptures in the exhibition were collaged onto the pages. The catalog was designed by Finlay, Pia Simig, and Paul Khera. The photographs were taken by Antonia Reeve and Stephen White. Stephen Bann contributes an essay that describes and analyzes each work in the exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Stephan Bann provides an explanation of the poem in the accompanying leaflet as follows. Thermidor was the month in the French Revolutionary calendar when the summer heat was its most intense, and the grain at its ripest. It was also the month, in 1794, when Robespierre and his followers met their deaths at the guillotine. In the image of this poem, the abrupt cleavage of the word, THER MIDOR, and of the figured sheaf of flowers, suggest the termination of the revolution in its Jacobian sense. -- Source of annotation: Marvin or Ruth Sackner.