Scope and Contents

The paper strip on the cover notes that the annual art event was postponed until 2002 because of the events of September 11, 2001. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The booklets of "It Is Almost That" edition are collected in one latched, wooden box, organized alphabetically by artist surname.

Scope and Contents

The editor of this boxed series is Lisa Pearson. This book deals with nudity and pornography in the history of the commercial cinema. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The Sackners lent several books to this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Gregory Burke, the curator of this exhibition conducted an interview of Banner and Cay Sophie Rainowitz wrote an essay about Banner's work. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This text of this book, that was written and designed by Fiona Banner, is printed only on the right sided facing pages. There are no paragraph separations of five, continuous film scripts dealing with battleground episodes of the sixties, Viet Nam war. The cover depicts the title in a psychodelic hot pink color on a bright blue background. The book was published in 800 unsigned, soft cover copies and 200 signed, hard cover copies.Nancy Princenthal writing in Art on Paper Vol.4 No.5, 2000 offers the following description. Banner doesn't generally dispense with punctu-ation altogether, but the headlong flow of language in her work, paced like spoken rather than written language and printed without-paragraph breaks, is most easily made sense of by being read aloud. This is as true of relatively short, single-sheet works like the 1999 "This Is It" (a hand-scripted summary, writ-ten from memory, of the movie "The Deer Hunter") as it is of "The Nam" (London, Frith Street Books with...