Scope and Contents Stephen Scobie (Earthquakes& Explorations, Toronto, Canada: University of Toronto Press, 1997, hard cover book, pp 182-189) made the following comments on this poem." The reduction of 'Life and Work' to 'Knife and Fork' is in tune with this whole mode of affectionate distancing; but it also has further resonances, which may be seen by juxtaposing Finlay's homage to Kahnweiler with Gertrude Stein's homage to Juan Gris: Therein Juan Gris is not anything but more than anything. He made that thing. He made the thing. He made a thing to be measured. Later having done it he could be sorry it was not why they liked it. And so he made it very well loving and he made it with plainly playing. And he liked a knife and all but reasonably. (Gertrude Stein, 'The Life of Juan Gris The Life and Death of Juan Gris,' transition 4 Uuly 1927]). So here is Juan Gris (1887-1927); and here is his knife ('reasonably': Gertrude Stein, in tribute to her friend); and here are his knife and his fork (and...

Scope and Contents

The card is folded twice to give three panels. -- Source of annotation: Marvin or Ruth Sackner.