Other venues for this exhibition were at the Munson-Williams-Proctor Institute in Utica and Nikon House in New York. Two photographs from Susan Barron's Another Song, held by the Sackner Archive, are depictede. -- Source of annotation: Marvin or Ruth Sackner.

Photograph relates to S. Barron and John Cage's limited edition publication "Another Song," a copy of which is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The cover picture is a palladium print of a collage made by Barron. The bookbinding is by Carol Joyce. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition of artists' bookplates commemorates the 25th anniversay of Printworks. Susan Barron contributed a bookplate for the Biblical Moses and Claire Van Vliet one for Rachel Carson. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition was curated by Diedre Lawrence. -- Source of annotation: Marvin or Ruth Sackner.

Rushes of table of contents page and section of No.91 issue of this periodical devoted to reproductions of S. Barron's photo-collages made between 1979 and 1982. Includes Barron's handwritten comments on quality of reproductions. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition was curated by Krystyna Wasserman. -- Source of annotation: Marvin or Ruth Sackner.

The animal alphabet is illustrated with whimsical illustrations and humorous verses. -- Source of annotation: Marvin or Ruth Sackner.

Photocopy of unique book. -- Source of annotation: Marvin or Ruth Sackner.

The duplicate copy is not accompanied by an envelope. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was presented to participants in the Central Agency for Jewish Education (CAJE) of Greater Miami tour of the Sackner Archive. Curated by Marvin Sackner, all 86 works on display demonstrated the use of Hebrew letters, words and texts in ancient and modern contexts. The catalog listing is illustrated with 30 images scanned into the Archive data base. -- Source of annotation: Marvin or Ruth Sackner.

Curated by Betty Bright who acknowledged Ruth Sackner and others in aiding the preliminary research for the exhibition. -- Source of annotation: Marvin or Ruth Sackner.

This work, which was commissioned by the Sackner Archive, was subsequently made into a limited edition print with the same title. The main poem in the center of the work, constructed as a paper relief from clippings of newspapers and magazines with varied typefaces and dimensions, begins "I am writing a letter on the back side of a cloud." Other briefer poems are also incorporated into the work using fragments of different languages. The major visual image is a paper relief man-feathered-animal like figure with a poem as its tail. -- Source of annotation: Marvin or Ruth Sackner.

The print was reproduced from a unique collage held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This print was reproduced from a unique collage commissioned by the Sackner Archive; a caption at the bottom of the print makes mention of this. -- Source of annotation: Marvin or Ruth Sackner.

Print was reproduced from a unique collage commissioned by the Sackner Archive. Barron writes specific instructions to the printers on both margins of the proof. This is the second proof run by the printers. -- Source of annotation: Marvin or Ruth Sackner.

Prints were reproduced from a unique collage held by the Sackner Archive. This proof, according to the artist, is the penultimate proof run "before the real thing." Includes specific instructions for changes to the printer. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive lent several pictures to the exhibition and participated in the seminar. Critical essays for the catalogue were written by Bill Gass and Johanna Drucker. In addition, the Sackners lent Tom Phillips' Dante Diary pages and manuscripts to the Olin Library for an exhibition in Special Collections curated by Kevin Ray. -- Source of annotation: Marvin or Ruth Sackner.