The poem deals with the poet's experience in the Intensive Care Unit after being stabbed in the chest that punctured his lung in 1986 by a robber while he was driving a taxi cab. All four typings in this series dealing with the Intensive Care Unit experience have been framed together. -- Source of annotation: Marvin or Ruth Sackner.

The poem deals with the poet's experience in the Intensive Care Unit after being stabbed in the chest that punctured his lung in 1986 by a robber while he was driving a taxi cab. All four typings in this series dealing with the Intensive Care Unit experience have been framed together. -- Source of annotation: Marvin or Ruth Sackner.

The poem deals with the poet's experience in the Intensive Care Unit after being stabbed in the chest that punctured his lung in 1986 by a robber while he was driving a taxi cab. All four typings in this series dealing with the Intensive Care Unit experience have been framed together. -- Source of annotation: Marvin or Ruth Sackner.

The poem deals with the poet's experience in the Intensive Care Unit after being stabbed in the chest that punctured his lung in 1986 by a robber while he was driving a taxi cab. All four typings in this series dealing with the Intensive Care Unit experience have been framed together. -- Source of annotation: Marvin or Ruth Sackner.

This booklet was written for a workshop in a grade school class and is a second edition of the book. -- Source of annotation: Marvin or Ruth Sackner.

This book includes a reproduction detail of a Daniel f. Bradley rubberstamped drawing on sleep; the original is held by the Sackner Archive. The Sackner Archive also holds the original typing by Basmajian entitled "After Weeks and Weeks in the Intensive Care Unit" that is reproduced in this book. The total run of this book is probably 300 copies (signing not called for). -- Source of annotation: Marvin or Ruth Sackner.

A posthumous catalog of Day's personal collection. Cover was designed by Darren Wershler-Henry and introductory essay was written by Michael Holmes. -- Source of annotation: Marvin or Ruth Sackner.

This anthology consists of a collection of concrete poems worldwide with a focus on Canadian poets. -- Source of annotation: Marvin or Ruth Sackner.

This anthology includes examples of the traditional Japanese haiku poetry form, e.g., three unrhymed lines if five, seven, and three syllables, respectively. In addition, this definition has been broadened to consider unrhymed minimalist, concrete, and visual poems ouside of the traditional framework. -- Source of annotation: Marvin or Ruth Sackner.