This catalogue is a selection from the counterculture selections of Maggs Brothers and includes "books, manuscripts and graphic and plastic art by and about bohemians, crazies, eccentrics, exiles, extremists, the violent, the persecuted, the mad, modernists, revolutionaries, terrorists, urban guerrillas, visionareis, and outsiders." -- Source of annotation: Marvin or Ruth Sackner.

This catalogue was edited by Mark Coetzee, curator of the Rubell Family Collection. -- Source of annotation: Marvin or Ruth Sackner.

According to Peter Kruty who published this print labeled A.P. but the only image printed, the work was commissioned by the Bjorn Olsson Gallery for an opening of Peterson's work. Twenty-five copies were returned to Kruty and Peterson for their own use - presumably the Sackner print was one of the 25 copies. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition documented the photographs of Samo graffiti which appeared in lower Manhatten in 1977-1978. Subsequently it became known that they were the work of Jean-Michel Basquiat and Al Diaz. The premise of these slogans/poems was that Samo was a brand name drug which provided salvation to those who would take it. This catalogue also mentions that Flynt's work is in the collection of Ruth & Marvin Sackner. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition was divided into five parts, Words from the Environment, Words as Sign and Structure, Words as Juxtaposition and Association, Words as Narrative, and Words as Socio-Political Commentary. -- Source of annotation: Marvin or Ruth Sackner.