The chapters consist of the following: 1). The post-cognitive era: looking for the sense in it all. 2). Five traditions of art history. 3). Intermedia. 4). Some poetry intermedia. 5). Games of art. 6). Exemplative works of art. 7). Intending. 8). Against movements. 9). Boredom and danger. 9). Structural researches. 10). Seen, heard and understood. 11). Towards an allusive referential. 12). Blank images. 13). Innovation. 14). Inventing our back pages. 15). Styles in cognitivism. 16). A something else manifesto. 17). On doing too much. 18). About Bern Porter and his 'I've left'. 19). Why Gertrude Stein. 20). Getting into Emmett William's poetry. 21). Conceptual forks. 22). A commentary by the poet on 'conceptual forks'. 23). An exemplativist manifesto. -- Source of annotation: Marvin or Ruth Sackner.

This is Johnson's second novel. It recounts the life of Albert Angelo, a school teacher in several styles of writing and varied page layouts. The novel comprises five chapters, viz., prologue, exposition, development, disintegration, and coda. The prologue is mainly laid out like a drama. The first section of the chapter 2, exposition, is written in first person singular. The second section, that is written in second person singular, also includes some unusual punctuation marks. The third section is written in the third person singular, the fourth in first person plural, the fifth in second person plural, and the sixth in third person plural. Chapter 2, development, is mainly printed in two columns, the left sided tells the main story, the right sided has comments that are printed in Italics. -- Source of annotation: Marvin or Ruth Sackner.

Nancy Princenthal contributed an essay, "The Bookmakers' Odds: A Short, Subjective Survey of Recent Publications by Artists." The catalogue includes a sixteen page insert by Lawrence Weiner of conceptual art. -- Source of annotation: Marvin or Ruth Sackner.

Daniel Lindlley writes in his essay, "The Unnamable Samuel Beckett," that Beckett wrote his play "Breath" in 1970 as a contribution to Kenneth Tynan's show "Oh! Calcutta." It consisted of a few lighting effects, cries, and the sound of breathing. The Sackner Archive holds a hand-knit sweater by Astrid Furnival that depicts the full text of this play. -- Source of annotation: Marvin or Ruth Sackner.

Features a brief essay on books as works of art by D. Fendrick. "Foirades/Fizzles" by J. Johns and S. Beckett, which is mentioned, is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Consists of four plays and a fragment of a prose piece. The play, Breath, was first performed at the Oxford Playhouse in March 1970. The text of this play has been woven onto a sweater by Astrid Furnival, commissioned by the Sackner Archive for "The Beauty In Breathing" exhibition 1992. -- Source of annotation: Marvin or Ruth Sackner.

This is a non-linear novel made up of phrases quoted from several French authors of the early 20th century. It is printed on Hahnmuhle paper. -- Source of annotation: Marvin or Ruth Sackner.

This catalog was printed at The Stinehour Press in Vermont and was given to the Sackners on the occasion of the Stinehours' visit to the Archive. -- Source of annotation: Marvin or Ruth Sackner.

This book presents a poem by Beckett first published in 1989 as a folded sheet with four pages in a fasimile of his handwriting. The edition size of the 1st edition was 1989 copies and none were offered for sale. This posthumous rendition of the poem is presented in an elegant typographic layout. It is interspersed with ancient illustrations, calligraphic texts, a page of the Passover Haggadah and many reproductions of drawings. -- Source of annotation: Marvin or Ruth Sackner.

Of the books cited in this catalogue, the Sackner Archive holds "Franz Kafka, Der Prozess" with calligraphy by Hans Peter Willberg and "ABC" by Gunnar Kaldewey. -- Source of annotation: Marvin or Ruth Sackner.

Young includes a section on sound and concrete poetry entitled, " Post-Dada, Pop-Poetry, and the Literary Undergound." He highlights works by Henri Chopin, Bob Cobbing, Adrian Henri, Jeff Nuttall, Ian Hamilton Finlay, and Christopher Middleton. -- Source of annotation: Marvin or Ruth Sackner.