This catalogue for the first comprehensive exhibition of Conner's work defines and illustrates the diverse areas of the artist's creative output including assemblages, collages, films, drawings, prints and photographs. Critical texts by Peter Boswell, Joan Rothfuss and Bruce Jenkins are presented along with a listing of Conner's previous exhibitions, a bibliography and a filmography. -- Source of annotation: Marvin or Ruth Sackner.

This is a review of the exhibiiton "Semina Culture: Wallace Berman & His Circle." -- Source of annotation: Marvin or Ruth Sackner.

This is catalogue conceptualizing the marriage of Wallace Berman and Robert Watts, including a printed wedding invitation, illustrations from Semina by Berman, a reproduction on a typed letter from Berman to David Meltzer, correspondence art by Watts and a reproduction of a dollar bill by Watts. The book was designed by Jerry Lekky. -- Source of annotation: Marvin or Ruth Sackner.

The cover photo is Wallace Berman's Portrait of Jay De Feo. -- Source of annotation: Marvin or Ruth Sackner.

The Beat Movement,which started in the 1940's with Jack Kerouac, Allen Ginsberg and William Burroughs, also included other avant garde poets, writers, filmmakers and visual artists on the East and West coasts.This book served as the catalogue for an exhibition at the Whitney Museum of American Art which was curated by Lisa Phillips. It contains nine essays by art, film and cultural historians, a detailed chronology of the Beat mmovement and a bibliography, Contributors include Lisa Phillips, Allen Ginsberg, Edward Sanders and Rebecca Solnit. It is heavily documented with photographs of the group. -- Source of annotation: Marvin or Ruth Sackner.

Review of exhibition "Past/Presence/Contemporary Sources" at the College of Notre Dame Gallery and extensive discussion of six works by Wallace Berman. -- Source of annotation: Marvin or Ruth Sackner.

Auction catalogue. The Sackners purchased Wallace Berman's "Composition" (c.1960) at this auction. George Segal's multiple, "Girl on a Chair" (1970), a work held by the Sackners, was offered at this auction. -- Source of annotation: Marvin or Ruth Sackner.

Critical essay written by Mary Davis MacNaughton. -- Source of annotation: Marvin or Ruth Sackner.

The dust jacket was designed by Wallace Berman and depicts a grid of four verfax images without Hebrew letters on the front and back covers. -- Source of annotation: Marvin or Ruth Sackner.

Baroni writes "A triumph of the do-it-yourself esthetic, Semina is a fragmentary guidebook to alternative modes of thinking, living, and art-making..." -- Source of annotation: Marvin or Ruth Sackner.

Simon Anderson provided an introductory essay, -- Source of annotation: Marvin or Ruth Sackner.

DeFeo (1929-1989) was an important influence on West Coast artists of the 1960s. -- Source of annotation: Marvin or Ruth Sackner.

The Sackners attended this exhibition at Museum Ludwig. -- Source of annotation: Marvin or Ruth Sackner.