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Bernstein, Charles, 1950-

 Person

Dates

  • Existence: 1950

Nationality

American

Found in 4 Collections and/or Records:

Epigramititis: 118 Living American Poets / Johnson, Kent, editor ; Kunitz S ; Simic C ; Antin D ; Graham J ; Andrews B ; Bernstein C ; Lehman D ; Ashbery J ; Koch K ; MacLow J ; Howe S ; Beer J ; Davis J ; Lauterbach A ; Whalen P ; Lin T ; Sondheim A ; Daniels C ; Eshleman C ; Palmer M ; Bly R ; Lifshin L ; Stefans BK ; Merwin W ; Joris P ; Creeley R ; Padgett R ; Evans S ; McCord H ; Davies A ; Silliman R ; Elmslie K ; Yau J ; Alexander W ; Grenier R ; Debrot J ; Codrescu A ; Baraka A ; Watten B ; Damon M ; Smith R ; Bromige D ; Hejinian L ; Alexander C ; Robinson A ; Napora J ; Wieners J ; Dworkin C ; Howe F ; Featherstone D ; Luoma B ; Wakoski D ; Snyder G ; DiPalma R ; Lazer H ; Edson R ; Young D ; Scalapino L., 2004

 Item
Identifier: CC-50164-71228
Scope and Contents An Epigram is a brief, clever, and usually memorable statement. Derived from the Greek: "to write on - inscribe"[1], the literary device has been employed for over two millennia. The Greek tradition of epigrams began as poems inscribed on votive offerings at sanctuaries "” including statues of athletes "” and on funerary monuments, for example "Go tell it to the Spartans, passer-by"¦". These original epigrams did the same job as a short prose text might have done, but in verse. Epigram became a literary genre in the Hellenistic period, probably developing out of scholarly collections of inscriptional epigrams. Though modern epigrams are usually thought of as very short, Greek literary epigram was not always as short as later examples, and the divide between 'epigram' and 'elegy' is sometimes indistinct (they share a characteristic metre, elegiac couplets); all the same, the origin of the genre in inscription exerted a residual pressure to keep things concise. Many of the...
Dates: 2004

Log Rhythms, 1999

 Item — Box 340: [Barcode: 31858072491255]
Identifier: CC-31961-33489
Scope and Contents

The poem is by Bernstein and the illustrations and by Susan Bee. The covers were designed by Susan Bee and Philip Gallo. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1999

The Poet Exposed / Felver, Christopher ; Bernstein C ; Burroughs WS ; Cage J ; Ginsberg A ; Giorno J ; Hirschman J ; Hollo A ; MacLow J ; McClure M ; Padgett R ; Rothenberg J ; Saroyan A ; Schwerner A ; Coolidge C ; Sanders E ; Creeley R ; Antin D ; Ashbery J., 1986

 Item
Identifier: CC-11213-11428
Scope and Contents

Photographic portraits of 101 contemporary American poets are matched with their personal, handwritten signed prose, poetic statements, and/or drawings. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1986

Zoom. No.7-8/Aug / Gerlovina R ; Gerlovin V ; Bentivoglio M ; Brown J., 2006

 Item
Identifier: CC-45787-47997
Scope and Contents

This magazine is a contemporary Russian photography publication. This issue features a photograph of Rimma Gerlovin on the cover and an interview of the Gerlovins. They indicate that their intricate photographs are made with multiple exposures in a 4" x 5" view camera rather than manipulations using Photoshop. The photographs are made without assistants and a mood is achieved by playing Baroque music, mostly by J.S. Bach, as they work. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2006

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