These documents include an essay by Thomas A. Clark on Finlay's controversial sculpture, OSSO at ARC in 1987 that included the logo of the Waffen SS. This work was considered by Art Press, a Parisian based journal as being pro-Nazi whereas Clark argues that it is anti-Nazi. They includes a copy of a protest letter on Finlay's behalf by Sol Lewitt to Jack Lang, the French cultural minister. Stephen Bann contributes a critical essay on Finlay's proposal for a revolutionary garden in Vers -- Source of annotation: Marvin or Ruth Sackner.

The first performance of Cobbing, Claire and Chant for this record on July 6, 1971 marked the birth of the group now known as Konkrete Canticle. A copied tape cassette is also held by the Sackner Archive.The manuscript for Ga(il)o(ng) performed inthis record is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The first performance of Cobbing, Claire and Chant for this record on July 6, 1971 marked the birth of the group now known as Konkrete Canticle. A copied tape cassette is also held by the Sackner Archive.The manuscript for Ga(il)o(ng) performed inthis record is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This poem was composed after a work by Tom and Laurie Clark. -- Source of annotation: Marvin or Ruth Sackner.

This poem was composed after a work by Tom and Laurie Clark. -- Source of annotation: Marvin or Ruth Sackner.

The poem is printed on the inside of the several folded card, the larger brown card for sail, the smaller white card for sheep. -- Source of annotation: Marvin or Ruth Sackner.

The two folded cards, one in brown and one in white color have a similar phrase, "folding the last sail" and "folding the last sheep," respectively. -- Source of annotation: Marvin or Ruth Sackner.

This poem was first published in 1981 (held by Sackner Archive) in a limited edition of 150 copies and the colors of the words were slightly different than the current work. -- Source of annotation: Marvin or Ruth Sackner.