Includes an introductory essay by Thomas A. Clark on the significance of Pastorales. -- Source of annotation: Marvin or Ruth Sackner.

A siingle wor is printed on different colored paper stock, viz., PUT, (SIC!), CAT, & TOO. PIZZICATO, Clark's imaginative summation of the four words is printed on the inside back cover. The front cover shows incomplete pin holes on the lower right corner (plucked?) of one copy (purchased from William Allen Books) that is not present in the other. Designated No.114 in bibliography of book entitled "The Printed Performance Brian Lane Works 1966-99." -- Source of annotation: Marvin or Ruth Sackner.

Also designated ARC 8. -- Source of annotation: Marvin or Ruth Sackner.

This book was edited and designed by Graeme Murray. Francis Edeline contributes an essay that analyzes the flower poems of Mary Ellen Solt and Ian Hamilton Finlay. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue was edited by Neil Hanson. -- Source of annotation: Marvin or Ruth Sackner.

This proposal calls for installation of calligraphic plaques within a stone walls enclosed garden. -- Source of annotation: Marvin or Ruth Sackner.

This proposal calls for installation of lettered benches in Latin and German within a garden. -- Source of annotation: Marvin or Ruth Sackner.

Each of the 24 pages of this book consists of a single picture poem in the style of Ian Hamilton Finlay with whom the Clarks have collaborated. For example, a sundial is depicted with the caption, "The metronome is accurate but the sundial is faithful." All the poems deal with the outdoors. -- Source of annotation: Marvin or Ruth Sackner.

The typewriter poems were made by Andrew Lloyd and the concrete poem by Thomas A. Clark. This book originally designated incorrectly as Flame No.1. -- Source of annotation: Marvin or Ruth Sackner.