Scope and Contents

This book contains critical texts by several writers that trace the life and works of Carlfriedrich Claus in this profusely illustrated and documented catalogue raisonne (1944-1989). In addition, it includes several critical essays by Claus on the artistic and poetic works of other authors. The exhibition travelled to Munster, Frankfurt, Bielefelder, Munich, and Hamburg. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The typewriter concrete poems date to 1959. Carl-Friedrich Claus was born in 1930 and died in 1998. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This is one of the most sumptious exhibition catalogues held by the Sackner Archive. It includes Claus' visual works and his critical essays as well as homages by poets and artists. The exhibtion included works by artists with images related to Clsus' ouvre. Original works in this exhibition as multiples or in the same style as Claus included John Cage's Not Wanting To Say Anything About Marcel (pages 356-357), Emmett Williams rubberstampings (page 364), Oyvind Fahlstrom's silkscreen prints (pages 368-369), Hansjorg Mayer's print portfolios' Konkrete Poesie International & Concrete Poetry, Britain, Canada, United State (pages 390-391), Hirsal and Grogerova's Ctyri Basne (pages 394-395), Eugen Gomringer's konkrete poesie periodicals (page 396) & Constellations (page 397), Heinz Gappmayr's minimalist concrete poems(pages 398-399), Finlay's Telegrams from my Windwill (page 400), Ilse & Pierre Grnier's Othon III - Jeanne D'Arc (pages 408-411), Ruth Wolf-Rehfeldt and Robert...

Scope and Contents

One copy includes a pamphlet that serves as an index to the works reproduced in the catalogue; the pamphlet is not present in the duplicate copy. There are several reproductions of experimental music scores as well as examples of Japanese calligraphy in the catalogue.The individual images do not carry a caption of their authorship. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

One of the illustrations in this book depicts a densely overwritten Hebrew alphabet. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

In this article, Vos states that he is a follower of the linguistic theories of Nelson Goodman. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Friedrich Block curated this exhibition with works drawn from Brazilian, Russian and German Poets. This limited edition of the catalogue is marked by an artist designed dust jacket. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Friedrich Block curated this exhibition with works drawn from Brazilian, Russian and German Poets. This limited edition of the catalogue is marked by an artist designed dust jacket. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Friedrich Block curated this exhibition with works drawn from Brazilian, Russian and German Poets. This limited edition of the catalogue is marked by an artist designed dust jacket. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Friedrich Block curated this exhibition with works drawn from Brazilian, Russian and German Poets. This limited edition of the catalogue is marked by an artist designed dust jacket. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Friedrich Block curated this exhibition with works drawn from Brazilian, Russian and German Poets. This limited edition of the catalogue is marked by an artist designed dust jacket. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Friedrich Block curated this exhibition with works drawn from Brazilian, Russian and German Poets. This limited edition of the catalogue is marked by an artist designed dust jacket. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This exhibition was drawn from Brazilian, Russian and German Poets. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This English translation of the German catalogue, "Shrift, Zeichen, Geste. im Kontext von Klee bis Polloc k" (2005) that is also held by the Sackner Archive is abridged from the German copy through removal of the images and text of other artists/poets who knew him. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book documents Claus' language drawings from 1959-1989 in the first section. It includes texts by Claus and others such as Gerhard Wolf, the owner of the Janus Press, and Dieter Mahlow. Claus also writes about his involvement with Kaballa and Communism. He quotes Gershom Scholem from his book on Judaica 1963. Several of his drawings of this period incorporated Hebrew texts. The next section deals with the text of "Aggregat K." This work was first published in 1987 in 50 copies and is reproduced in an accompanying volume in 1500 copies. The text includes a letter from Claus to Nela and Alain Arias-Misson, a critical essay by Gerhard Wolf, Claus' notes on the project, and correspondence between Claus and Wolf. The third section deals with the background of "Versuchsgebiet K" and includes comments by Wolf. -- Source of annotation: Marvin or Ruth Sackner.