Michele Perfetti wrote a brief note about "Poesia Alternativa." Other brief comments were made by Umbro Apollinio, Renato Barilli, Paul deVree, Sarenco, Gillo Dorflies, Emilio Isgro, Eugenio MIccini, Lamberto Pignotti among others. -- Source of annotation: Marvin or Ruth Sackner.

Although 15 issues of this series were listed, it appears that only six were published. The Sackner Archive holds all six issues. -- Source of annotation: Marvin or Ruth Sackner.

Includes reproductions of collages and assemblages (pp 72, 166, 167, 180, 199) held by the Sackner Archive. A varient of a collage which is reproduced on p 261 is also held by the Archive. -- Source of annotation: Marvin or Ruth Sackner.

The portfolio was water damaged and the prints were trimmed after the accident. The images remain intact. -- Source of annotation: Marvin or Ruth Sackner.

This book describes an exhibition and a symposium that included sound poetry, which was held in Venice in June 1972. The critic, Rossana Apicella, mentions, "Let us hope, si licet, that visual poetry will not meet with rapid success, that it will remain immediate, violent, mad and popular, erudite and authentically experimental; there is a risk, otherwise, that according to the logic of human destiny it will get up to a dangerous pedestal." -- Source of annotation: Marvin or Ruth Sackner.

Issued in conjunction with Chopin's book of the same title, a work also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Issued in conjunction with Chopin's book of the same title, a work also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This book depicts an sampling of De Vree's poetic styles. Two original typed pages held by the Sackner Archive are reproduced in this book, "mier mens" page 17 and "picnic" page 25. -- Source of annotation: Marvin or Ruth Sackner.

This is among the most widely reproduced concrete poems of Paul De Vree. The word "Revolutie," printed in a circular way in red color has been fractured across its middle and placed slightly to the right of its top half to give an optical sense of movement. -- Source of annotation: Marvin or Ruth Sackner.

Each saying is seen word by word through the eyes of masks. The words and the masks change from black to white creating a different pattern on each print. -- Source of annotation: Marvin or Ruth Sackner.