This portrait of Stephan Mallarme is composed of abstract forms. The background contains the title in handwritten text. -- Source of annotation: Marvin or Ruth Sackner.

Commissioned for "The Beauty In Breathing" exhibition. -- Source of annotation: Marvin or Ruth Sackner.

The design on this card was adapted from a 1997 watercolor by Dupont. -- Source of annotation: Marvin or Ruth Sackner.

Dupont writes that he won second place in the ex-libris contest celebrating Verlaine's centenary. The book plate was done theoretically for the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Each contributor has an inked his/her fingerprint that follows the engraving. -- Source of annotation: Marvin or Ruth Sackner.

The clock was commissioned by Groupe Clinivest for the year 2000. Albert Dupont designed the watch-face using the imprint of babies' feet for the numerals. Dupont wrote the label on the top of the metal container. -- Source of annotation: Marvin or Ruth Sackner.

Dupont submitted these three prints to an international competition for book plates in Metz, France, as an homage to the poet Paul Verlaine. As explained in an accompanying document, "Concours International D'Ex Libris "Paul Verlaine," there are three states: the first is black and gray to evoke ink and ink-paint; the second is stained absinthe green mixed with red for passion; The third is the celestial blue of inspiration mixed with earth green, planted on and in his body. -- Source of annotation: Marvin or Ruth Sackner.

This letter thanksg them for selling two drawings for him. By handwiting with heavy pressure on the verso side, Dupont created an embossed appearance on the colored recto side. -- Source of annotation: Marvin or Ruth Sackner.

The letter was hand written on the reverse side creating an embossed appearance on the front of the page. -- Source of annotation: Marvin or Ruth Sackner.

Postcard illustration of "Homage a Paul Klee." -- Source of annotation: Marvin or Ruth Sackner.