The Sackner Archive lent an issue of Futura by Dieter Roth to this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Different parts of Tom Phillips' poster print, "Benches" are collaged onto the covers of the catalogues. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue documents how in recent years, Williams has gone from composing classic concrete poems to adding visual ornamentations to them. -- Source of annotation: Marvin or Ruth Sackner.

The introduction and commentaries on Hamilton's illustrations of James Joyce's Ulysses were written by Stephen Coppel. The exhibition consisted of prints and preparatory drawings to illustrate sections of the book that has not yet been realized. This is reproduced along with the corresponding text of Ulysses in the catalogue. A final section of text prints Hamilton's notes on the illustrations. -- Source of annotation: Marvin or Ruth Sackner.

Recounts the history of The Institute of Contempoary Arts, London 1950-1962 with emphasis on the artists who launched the Pop Art movement in England. There are several essays on British artists of this period including John McHale (1922-1978), who made artworks from cut-up newspaper headlines. -- Source of annotation: Marvin or Ruth Sackner.

The record jacket and poster designs consisted of portraits of The Who, a British musical rock group. Phillips did a portrait of the leader, Pete Townshend and other artists did portraits of Townshend and other menbers of the group. -- Source of annotation: Marvin or Ruth Sackner.

The record jacket and poster designs consisted of portraits of The Who, a British musical rock group. Phillips did a portrait of the leader, Pete Townshend and other artists did portraits of Townshend and other menbers of the group. -- Source of annotation: Marvin or Ruth Sackner.

Most of the works offered in this catalogue were made by Dieter Roth. -- Source of annotation: Marvin or Ruth Sackner.

Director Glenn Lowry writes in the catalogue forward that "Dieter Roth was an endlessly inventive and thought-provoking artist whose substantial body of work, made over the course of nearly five decades, is both prodigious and idiosyncratic. In his experiments with forms, materials, and language, Roth challenged the boundaries not only between mediums but between art and everyday life." Curator Sarah Suzuki writes that "it is easier to describe what he is not than what he is : Above all, he is not a propagandist, and he is not a prophet. He is neither a moralist nor an immoralist. And he is no joiner...He is a member of no ism, group or movement, although many movements, groups, and isms would like to claim him as one of their own." -- Source of annotation: Marvin or Ruth Sackner.

The theme of this book is whaling (capture of whales). -- Source of annotation: Marvin or Ruth Sackner.