The Enochian language was invented by John Dee in the 1590's. The title means "vials" and rhymes with the "tiles" utilized as the media within the bookbox itself. The grey background of the tiles denotes the Enichian alphabet and the red hieroglyphics the text by Hirschman. -- Source of annotation: Marvin or Ruth Sackner.

Includes poem relating to Marvin Sackner (page 73), "I Steal" that begins with the following passage: Scavaging's the way I make my buck. Pick my way thru the garbage of the rich for cardboard, fabric-sampler folders, odd papers, plastics. Paint over them. Send them to a man who collects things like that. Just enough to pay for my hotel pad. -- Source of annotation: Marvin or Ruth Sackner.

The theme of this poem relates to a personal incident that occurred in Hirschman's hotel room. -- Source of annotation: Marvin or Ruth Sackner.

The cover by George Grosz depicts a woman with nude buttocks and genitals. -- Source of annotation: Marvin or Ruth Sackner.

The poems in this book were written 1972-1973. The cover and illustrations within the book were done by Soheyl Dahi. -- Source of annotation: Marvin or Ruth Sackner.

The cover was designed by Agneta Falk. The book was presented to Marvin Sackner at a party in October 2002, hosted by Mauro and Laura Corinaldi in Milan, in which Hirschman appeared as a surprise guest. -- Source of annotation: Marvin or Ruth Sackner.

The poems by Kohav were translated by Hirschman. The covers were drawn by Tom Loretta and the figurative line drawings within the book by Tom Loretta and S. Kaner. -- Source of annotation: Marvin or Ruth Sackner.

The poems by Kohav were translated by Hirschman. The covers were drawn by Tom Loretta and the figurative line drawings within the book by Tom Loretta and S. Kaner. -- Source of annotation: Marvin or Ruth Sackner.

The poems by Kohav were translated by Hirschman. The covers were drawn by Tom Loretta and the figurative line drawings within the book by Tom Loretta and S. Kaner. -- Source of annotation: Marvin or Ruth Sackner.

The book was published as a tribute to the Wallace Berman retrospective at the University Museum in Berkeley. The poems by several contributors were written by Hiirschman and photocopied for this book. There are several photocopied drawings and collages scattered through the book. The cover design was adapted from a grid of four Verifax pieces done by Wallace Berman in 1964. -- Source of annotation: Marvin or Ruth Sackner.

The book was published as a tribute to the Wallace Berman retrospective at the University Museum in Berkeley. The poems by several contributors were written by Hiirschman and photocopied for this book. There are several photocopied drawings and collages scattered through the book, some photocopied colored for this deluxe edition. The cover design was adapted from a grid of four Verifax pieces done by Wallace Berman in 1964. -- Source of annotation: Marvin or Ruth Sackner.

Also designated Pocket Poets Series No.55. Agnetta Falk contributed a calligraphic visual portrait rendering of Hirschman. -- Source of annotation: Marvin or Ruth Sackner.

The interior box is a small box of Gerber's mixed baby cereal that serves as packing material and lends a feeling of a Fluxus presentation to this catalogue which has several Fluxus items on sale. -- Source of annotation: Marvin or Ruth Sackner.