This catalogue was presented by the gallery for the XXVI Bienal de San Paulo. -- Source of annotation: Marvin or Ruth Sackner.

Kac comments on "Adrift," a holographic poem commissioned for the Sackner Archive. It is composed of 7 words that dissolve into space along the Z axis as the viewer reads them back and forth. The letters that make up the words are floating freely along the Z axis except for the word "breathe," which is somewhere integrated into the overall light field. This word blows life to the other words as its letters actually move away from their original position to dissolve again into the light field. -- Source of annotation: Marvin or Ruth Sackner.

Mentions support of Sackner Archive in producing "Adrift" a holographic poem composed of seven words that dissolve into space and into each other with viewing. The reading process takes place along the Z axis. The letters that form the words float irregularly along several Z axis except for the word "breathe" which is somewhere integrated into the overall field. This blows life into the other words as its letters move away from their original position to dissolve again in the light field. -- Source of annotation: Marvin or Ruth Sackner.

The catalogue has six pages altered with drawings by Joel Hubaut - they were not part of this exhibition. He particapated in a sound poetry component of the exhibition through a CD recorded by Dmitry Bulatov for his book, An International anthology of sound poetry. There are essays on holograms by Augusto De Campos, Eduardo Kac, and Richard Kostelanetz. -- Source of annotation: Marvin or Ruth Sackner.

Joel Hubaut, a participant in this exhibition, hand lettered an anti-Bush, anti-Iraq war political discourse on the inside of the front cover where he signed and dedicated the book to the Sackners. He also marked the paragraph in the preface in green ink that described his work.This catalogue is stored in the box with Hubaut material. -- Source of annotation: Marvin or Ruth Sackner.

These texts describe Kac's studies on the relationships between art and science. -- Source of annotation: Marvin or Ruth Sackner.