Scope and Contents

This is a review of "Books as Art," an exhibition held at the Boca Raton Museum to which the Sackner Archive lent 50 books. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is the second revised edition that includes the proceedings of a symposium in which the Sackners took part. Timothy Eaton curated this comprehensive exhibition of book art and in the preface acknowledges the Sackner Archive as "the premier contributors with the loan of fifty works..." All the authors contributing an essay to this catalog signed the book. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is the second revised edition that includes the proceedings of a symposium in which the Sackners took part. Timothy Eaton curated this comprehensive exhibition of book art and in the preface acknowledges the Sackner Archive as "the premier contributors with the loan of fifty works..." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is the third edition of the catalog. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The dvd is documentation about Falling Out of the Sky - the 9/11 disaster. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This work is a typographic tour de force in which the accordion folds are placed such that the text can be unfolded as a horizontal continuum. The type is printed in red, black, blue, and orange highly saturated colors. The poem is based upon a performance piece by Duke that completed in 1973. The poem describes Dada in Zurich in 1916, in the winter in Berlin in 1918-1919 during the hardships of WWI, as Dada slept from 1923-1945, and in Australia in contemporaneous times. The Sackner copy is one of 25 in a portfolio; No.1 was in a designer binding, No.26-29 were unbound, and 5 copies were hors commerce. Except for the title which is in the German language, the text is in English. The book was conceived and designed in a constructivist lay-out by Mike Hudson (who never met Duke according to a personal communication to the Sackners) and set in a wide range of lead and wood sans serif types by Jadwiga Jarvis. The portfolio has papercard inserts for two pamphlets on the inside front...

Scope and Contents

Published on the occasion of an exhibition at workffortheeyetodo in London, April-May, 1994. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This catalogue depicts images of each one of the works offered for sale. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This anthology of artist books deals mostly with one of a kind works. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This exhibition was curated by Roberto Antolini for the Trento Biblioteca Comunale and the Bolzano Museum. He contributed one essay "Il Nuovo Libro Futurista" and with Melania Gazzotti a second one titled "Le Sperimentazioni delle Neoavanguardie Nella Seconda Meta del Novecento." A section of the catalogue contains illustrations of artists' books mainly from the 1970's. the last part of the catalogue consists of correspondence between Fedele Azari and Fortunato Depero. Most of the works depicted in this catalogue were donated to the museum by Paolo Della Grazia. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This catalogue lists the various series comprising "Le Brache di Gutenberg." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Edited by Jean-Paul Larouche. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The book consists of an long essay on the history of word-image works begining with Mallarme's "Un Coup de Des..." to Concrete Poetry by A. Schug. The folding of the book is similar to Cendrars and Delauney's "Transsiberian Railway." The latter is reproduced in color as a facsimile in the same dimensions when this catalogue is fully opened. -- Source of annotation: Marvin or Ruth Sackner.