Scope and Contents

Produced by David UU. This poem was first published as Luv 5, in 1967 by Fleye Press. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

In a note at the end of the book, McCaffery indicates that the poems were composed based on existing texts and chance operations. The top of the spine of this copy of the book is missing. This is McCaffery's second book. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This issue presents a world-wide survey of avant garde music scores with documentation by the composers that forms a logical sequel to Cage's book "Notations" Something Else Press. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

McCaffery provides an guide for interpreting the poem that constitutes this book. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Usually published in an edition of 400 copies. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The recording consists of an interview between Charles Bernstein and Steve McCaffery who also did a reading. Stored in box containing tape cassette periodicals of Linebreak, Recorthings and Tellus. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The recording consists of an interview between Charles Bernstein and Steve McCaffery who also did a reading. Stored in box containing tape cassette periodicals of Linebreak, Recorthings and Tellus. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Steve McCaffery edited and wrote the introductory essay for this book that consists of the collected research reports of the Toronto Research Group (TRG) 1973-1992. There is a discussion of the experimental fiction of Steve Katz, Raymond Federman, Madeline Gins, Scott Symons, and B.S. Johnson on pages 79-88. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This publication served as the catalogue for the exhibition of Anastasi's work at the Slought foundation, Philadelphia, curated by Oswalds Romberg who contributed an introductory essay. It engages work by conceptual artist William Anastasi in relation to literary and artistic predecessors and contemporaries including Jarry, Joyce, Duchamp, and Cage. This publication is edited by Aaron Levy and Jean-Michel Rabate, with contributions by William Anastasi, Joseph Masheck, Thomas McEvilley, and Steve McCaffery, and an introduction by Osvaldo Romberg. In addition, nearly 40 manuscript pages from William Anastasi's manuscripts "me innerman monophone" and "du jarry," engaging Joyce and Duchamp via Jarry, are reproduced in the book, alongside 10 pages of reproductions of Anastasi's work from the 1960s. By showing concretely that many passages in Finnegans Wake contain buried allusions to Jarry's characters and vocabulary and personality, Anastasi is not simply annotating Joyce's...