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Designated as Writers Forum Poets #26. -- Source of annotation: Marvin or Ruth Sackner.

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This book consists of b&w photographs of street signs in which wear or defacing have caused missing letters or visuals to assume a new meaning. -- Source of annotation: Marvin or Ruth Sackner.

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This limited edition of the book is printed on Ingres paper. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This limited edition of the book is printed on Ingres paper. -- Source of annotation: Marvin or Ruth Sackner.

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Mills states: Twelve poems "written to be shouted aloud ... they demand voice, gesture and soapbox". -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Mills states: Twelve poems "written to be shouted aloud ... they demand voice, gesture and soapbox". -- Source of annotation: Marvin or Ruth Sackner.

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Includes handwritten poems by Tom Edmonds and ink drawings by Charles Verey and Neil Mills. Although this mock-up appears to be camera-ready copy, according to Bob Cobbing it was never published as a periodical. Contains a performance poem by Neil Mills, "Breathe" in which a group of participants congregate in a closed space, breathe in and out with everything else to remain silent so that they can appreciate the music of their breathing. -- Source of annotation: Marvin or Ruth Sackner.

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Experiments in Disintegrating Language was a group composed of Charles Verey, Neil Mills, and Thomas A. Clark. Konkrete Canticle was a group composed of Bob Cobbing, Paula Claire, and Michael Chant. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Experiments in Disintegrating Language was a group composed of Charles Verey, Neil Mills, and Thomas A. Clark. Konkrete Canticle was a group composed of Bob Cobbing, Paula Claire, and Michael Chant. -- Source of annotation: Marvin or Ruth Sackner.

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This is an unsigned copy; the first 25 copies were signed and numbered. Mills states that these poems are meant to be read aloud. -- Source of annotation: Marvin or Ruth Sackner.

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Designated Writers Forum Score No. One. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Designated Writers Forum Score No. One. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Designated Writers Forum Number Ten. Mills writes: "That poetry developed language as medium of perception or experience with the coming of the printed poem, when poetry was first known to young men as a silent thing, when a poet could be a poet & never read aloud, the bard died away, but not extinct. That language as object of perception or experience, that is modulation of human voice as carrier of poetic truth rather than semantically induced mental pictures, or, in visual terms, the magic of the written sign, in 20th century urban environment made explicit, was implicit always in the spoken chant or poem & the awe of the rune. That these 2 languages can lead to very different poetries, as regards emphasis on word as semantics, but.as regards poetry as meaning in other than semantic terms, this theoretical division is useless, that sound poetry as such is an extraction from all poetry that has ever been written or recited, that poetry has always been music when spoken,...