Produced by David UU. This poem was first published as Luv 5, in 1967 by Fleye Press. -- Source of annotation: Marvin or Ruth Sackner.

Documents a street in Toronto named after bp Nichol. -- Source of annotation: Marvin or Ruth Sackner.

Unable to ascertain whether this work was ever published. -- Source of annotation: Marvin or Ruth Sackner.

Also designated Sticky Lights #4. This broadside is an announcement for a poetry reading by bp Nichol at Nicky Drumbolis' bookshop, Letters, on Nov. 22, 1984. The silkscreen print that is collaged onto the broadside is is a translation of Basho's "frog." -- Source of annotation: Marvin or Ruth Sackner.

This is a reprint of a work originally issued as Ganglia Press Tonto Or series No.5, 1966 in an edition of 20 copies. A copy from the original run is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Reviews international small press scene. -- Source of annotation: Marvin or Ruth Sackner.

Valoch indicates that he is sending books to David UU in exchange for Canadian Avant Garde poetry books. -- Source of annotation: Marvin or Ruth Sackner.

Valoch mentions materials that he is sending for his exhibition, 'microproseplus' and method of payment, i.e., prefers books to money. -- Source of annotation: Marvin or Ruth Sackner.

Letter concerns seeking poems in letraset; J. Bory's assistance to D. Harris with "Spanish Fleye;" and exhibition being organized in Spain by Ignacio Gomez DeLiano. -- Source of annotation: Marvin or Ruth Sackner.

This letter deals with poems that levy has submitted for publication. He also requests that Harris contact bp Nichol for acceptance of these poems. -- Source of annotation: Marvin or Ruth Sackner.

levy writes Leed that he is going to use the title, "White Moon of Watching Out," for the title of a book of poems by Leed that he will print. Also sends Leed some of his own publications. The verso of this letter Is a reprint of Clandestine Press Bulletin No.1 from San Francisco Chronicle editorial page. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue lists eight rubberstamped works for sale; each citation is rubberstamped on a separate page. The front and back covers were designed by jw curry. Both inside covers are rubberstamped with texts. -- Source of annotation: Marvin or Ruth Sackner.

This is a digression that took place from curry's reading of bp Nichol's the martyrology conducted with Jennifer Books. -- Source of annotation: Marvin or Ruth Sackner.

This is a posthumous documentary film of bp Nichol's life and work including several interviews of his poet friends. -- Source of annotation: Marvin or Ruth Sackner.

This is a posthumous documentary film of bp Nichol's life and work including several interviews of his poet friends. -- Source of annotation: Marvin or Ruth Sackner.

Steve McCaffery edited and wrote the introductory essay for this book that consists of the collected research reports of the Toronto Research Group (TRG) 1973-1992. There is a discussion of the experimental fiction of Steve Katz, Raymond Federman, Madeline Gins, Scott Symons, and B.S. Johnson on pages 79-88. -- Source of annotation: Marvin or Ruth Sackner.

Nichol demonstrates "copying machine disintegrative tendencies" by repeatedly putting the same text through four different photocopying machines. The text breaks down until it gradually disappears, so that "the machine is the message." The process is the same as that employed by Emmett Williams in a series of poems that are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.