This catalogue is a listing and description of works for sale written in a cursive script. -- Source of annotation: Marvin or Ruth Sackner.

Introduction and editing by Smaro Kamboureli and Robert Kroetsch. -- Source of annotation: Marvin or Ruth Sackner.

The pages consist of variations on small o's forming the letter 'H.' This book was originally published in 26 lettered copies for the "On the H orizon" celebration in memory of bp Nichol held at Emily Carr College, Vancouver, September 1998. -- Source of annotation: Marvin or Ruth Sackner.

This piece was published in Rampike Vol.6 No.1. curry includes 5 handwritten Haiku poems by Hood (collaged onto pages) written as varients in House of Cards, Runaway Spoon & form the basis for curry's critical text. In a letter to the Sackners, curry notes that Jirgins (editor Rampike) "fucked it up by typesetting all the poems (including the bp Single letter translation!)(i'd provided him with a photocopy of bp's drawn version), rendering my discussion of Hood's handwriting superfluous..." -- Source of annotation: Marvin or Ruth Sackner.

Amazon.com: Wording the Silent Art collects Barbara Caruso's essays on the contemporary art scene, including controversial issues like the National Gallery's purchase of Barnett Newman's Voice of Fire and the recent transformation of public galleries from institutions of preservation to places of pop entertainment and the effect this has on art. She also writes with elegance and verve on the subject of her own painting, on painting practice, and on how to look at visual art. Her generous and wise advice to a young painter is worth the price of this book alone. Caruso's is a unitary, clear, communicating voice, and she brings to the reader a marvellous and accessible vision of the essential nature of art in our lives. -- Source of annotation: Marvin or Ruth Sackner.

This book was compiled by jw curry from unpublished (?) concrete poems of bp Nichol's early work which were composed by typings or writings. curry had access to these works through cataloging of Nichol's archive. These works emphasize the diversity and intelligence of Nichol's typewriter poetry; the calligraphic works are presented with far less examples. The cited authors in this book consist of those whom Nichol composed a poem in their style or as an homage to them. The covers of the book have been collaged with a dust jacket created from an overprinting of a cover by Coach House Press entitled, 'New Wave Canada.' -- Source of annotation: Marvin or Ruth Sackner.

This book was compiled by jw curry from unpublished (?) concrete poems of bp Nichol's early work which were composed by typings or writings. curry had access to these works through cataloging of Nichol's archive. He has had access to such work through his cataloging of Nichol's archive. The works emphasize the diversity and intelligence of Nichol's typewriter poetry; the calligraphic works are presented with far less examples. The cited authors in this book consist of those whom Nichol composed a poem in their style or as an homage to them. The covers of the book have been collaged with a dust jacket created from an overprinting of a cover by Coach House Press entitled, 'New Wave Canada.' -- Source of annotation: Marvin or Ruth Sackner.

This book was compiled by jw curry from unpublished (?) concrete poems of bp Nichol's early work which were composed by typings or writings. curry had access to these works through cataloging of Nichol's archive. The works in this volume emphasize Nichol's visual poems and concrete poems made with letraset.; the typewriter poems are presented with far less examples. The covers of the book have been collaged with a dust jacket created from an overprinting of a cover by Coach House Press entitled, 'New Wave Canada.' -- Source of annotation: Marvin or Ruth Sackner.

Includes a section of poems by Jack Micheline. -- Source of annotation: Marvin or Ruth Sackner.

Also designated Curvd H&Z No.234. The image was drawn by bp Nichol in 1973. -- Source of annotation: Marvin or Ruth Sackner.

The poem is difficult to read because it is written in three dimensions but appears to state "flat feet." It is also listed as Curvd H&Z No.257 and One Cent Series No.134. -- Source of annotation: Marvin or Ruth Sackner.