The exhibitio nwas curated by William Cobbing, Bob Cobbing's grandson and Rosie Cooper at the Exhibition Research Centre in Liverpool. It consisted of printed matter, paintings, documents, films, sound works, objects and artefacts.The Sackners were described as "owners of the most comprehensive archive of sound and concrete poetry." Stored in Bob Cobbing box. -- Source of annotation: Marvin or Ruth Sackner.

Includes a photograph of panelists of the symposium "Books As Art" sponsored by the Boca Museum and FAU Friends of the Libraries. The Sackners participated in the panel and lent several books to the exhibition. -- Source of annotation: Marvin or Ruth Sackner.

This is a review of Tom Phillips' Slade Lectures. The Sackners attended two of the eight and were interviewed by Vetta at one of them. She wrote the following. "At the opening I met a charming couple from Miami who have been collectors of Tom's work since they saw his 1974 exhibition. They thought it was the work of more than one artist. I asked what attracted them in addition to the diversity. They replied 'his wit and intellect.' I would add to that his sensitivity to color." -- Source of annotation: Marvin or Ruth Sackner.

This manuscript summarizes books and essays published by Kostelanetz over the years dealing with the subject of the title. He has dedicated the book to Ruth & Marvin Sackner. -- Source of annotation: Marvin or Ruth Sackner.

Marvin Sackner's essay, "Recollections of John Eric Broaddus" is featured. Walter Hamady's exhibition at Granary Books, "Boxes and Collages," is reviewed; one of the assemblages in this exhibition was acquired by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Photographs of the Sackners at the award dinner of Pyramid Atlantic. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive lent two books to this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

The essay by Marvin Sackner in the catalogue has been altered in the style of Broaddus' work. The Catalogue itself is presented as an Artist Book. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive lent two books to this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Sramak indicates that the Sackner Archive holds the following of his books: 1) What Angels Think, and 2) Watching. -- Source of annotation: Marvin or Ruth Sackner.

Many of the works in this catalogue incorporate images of lungs. One of the boxes in this exhibition was acquired by the Sackner Archive and the Archive is mentioned as holding works by Hamady. -- Source of annotation: Marvin or Ruth Sackner.

This book reproduces 22 drawings of Tarot cards, made in 1992-1993, that are held as suite by the Sackner Archive.Acknowledgement as to this holding appears in the colophon of this book. This deluxe edition of 12 copies includes a drawing by Caruso. -- Source of annotation: Marvin or Ruth Sackner.

This book reproduces 22 drawings of Tarot cards, made in 1992-1993, that are held as a suite by the Sackner Archive. Acknowledgement as to this holding appears in the colophon of this book. -- Source of annotation: Marvin or Ruth Sackner.

The print includes a reproduction of a fragment of the business card of Marvin Sackner. This broadside in an unfolded state together with other Ryosuke Cohen's Brain Cells and cards are stored in a large green & black folder. -- Source of annotation: Marvin or Ruth Sackner.

This broadside in an unfolded state together with other Ryosuke Cohen's Brain Cells and cards are stored in a large green & black folder. -- Source of annotation: Marvin or Ruth Sackner.

This broadside in an unfolded state together with other Ryosuke Cohen's Brain Cells and cards are stored in a large green & black folder. -- Source of annotation: Marvin or Ruth Sackner.

This broadside was addressed to Ruth & Marvin Sackner. -- Source of annotation: Marvin or Ruth Sackner.