Scope and Contents

This broadside in an unfolded state together with other Ryosuke Cohen's Brain Cells and cards are stored in a large green & black folder. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This broadside in an unfolded state together with other Ryosuke Cohen's Brain Cells and cards are stored in a large green & black folder. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This consists of all three books of this epic poem. It is inspired and sourced in fields as diverse as the Old Testament, quantum physics, hermetics, Marcel Duchamp, The Tibetian Book of the Dead, Haitian Voodoo, and the music of Bartok and John Coltrane. Its message is both dark and luminous and is a visionary work summoning "liberation in all its forms."ue Walker Internet: Brambu Drezi: Words that define liberation, that are beyond boundaries, that testify to the genius of Jake Berry. Brambu Drezi: a Wittgensteinian rendering of: "We feel that even if all possible scientific questions be answered, the problems of life have still not been touched at all. But of course there is then no question left and just this is the answer." Brambu Drezi is an answer. It is without definition; it is a master poem, three books in one, a [dis]connected process, experiential musicology, a study in sound, line, and beat and flow and genesis of what has been and is, collated into an Eliotic time...

Scope and Contents This consists of all three books of this epic poem. It is inspired and sourced in fields as diverse as the Old Testament, quantum physics, hermetics, Marcel Duchamp, The Tibetian Book of the Dead, Haitian Voodoo, and the music of Bartok and John Coltrane. Its message is both dark and luminous and is a visionary work summoning "liberation in all its forms."Sue Walker Internet: Brambu Drezi: Words that define liberation, that are beyond boundaries, that testify to the genius of Jake Berry. Brambu Drezi: a Wittgensteinian rendering of: "We feel that even if all possible scientific questions be answered, the problems of life have still not been touched at all. But of course there is then no question left and just this is the answer." Brambu Drezi is an answer. It is without definition; it is a master poem, three books in one, a [dis]connected process, experiential musicology, a study in sound, line, and beat and flow and genesis of what has been and is, collated into an Eliotic time...

Scope and Contents

Lectures by Claus Cluver and Roland Greene were presented in conjunction with the exhibition. The Sackners lent most of the works in this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Sloy sent Sackner a card with the repetitive admonition, "breathe" and Sackner returned a computer printed page with stylized lungs formed by the repetitive phrase, "I Am Breathing" in various typefaces and dimensions. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This issue was published in conjunction with an exhibition by Heidsieck at the Centre International de Poesie in Sept 1998. There are several reproductions of Heidsieck's works in this issue including a collage from the Canal Street series (no.42) that is held by the Sackner Archive. This collage is depicted on page 12. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

On the verso of most pages, curry has written the first publication of these works. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This catalogue was edited by Volker Rattemeyer and Renate Petzinger. Gerz created his body of visual/concrete poetry during his sojourn to Paris from 1969-1972 as depicted in pages 24-45 of this book. The Sackners met him in 1981 in Paris and purchased several of the works that are depicted in this catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

It is stated that Fierens' "publications and works can be found in major archives (R&M Sackner Archive-Miami, Artpool-Budapest). libraries (MoMa Library, Rare Books coll. University of Buffalo), museums (MaRT Trento e Rovereto-Italy) and several private collections (Fondazione Berarelli) -- Source of annotation: Marvin or Ruth Sackner.

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The Sackner Archive is listed among Babenko's principal collections. -- Source of annotation: Marvin or Ruth Sackner.

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The Sackner Archive is listed among Babenko's principal collections. -- Source of annotation: Marvin or Ruth Sackner.

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This exhibition catalogue lists Andryczuk's personal publications and provides illustrations of them that are ofter tipped-in. It also lists publications of other poets that he has published. -- Source of annotation: Marvin or Ruth Sackner.

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This catalogue lists the Sackner Archive in collections holding Haack's work. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The four books making up this exhibition catalog, which in itself can be classified as an artist book, comprise the topics, Sculpture, Artist and Process, Related Objects, and Bookworks. The latter includes Marvin Sackner's critical essay, "Who Says Thirteen Is Unlucky?" The theme of several of the pieces in the exhibition is Satin's adaptation of John Cage, Jasper Johns and Merce Cunningham's collaborative work, "Dancers on a Plane." -- Source of annotation: Marvin or Ruth Sackner.