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The title translates to "The Personal and the Other: Ten Years of Work." Eric Stephan contributes an introductory essay, in German and English, that points out Zylla's debt to Charles Bukowski and Jean Dubuffet. Jorn Merkert writes about Zylla's working methods. This catalogue mentions that Zylla's work is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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Handout at Book Arts Conference, Center for the Book Arts, New York. -- Source of annotation: Marvin or Ruth Sackner.

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Huth describes his visit to the Sackner Archive on April 13th in the section titled "Home Sweet Museum." -- Source of annotation: Marvin or Ruth Sackner.

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This illustrated blog by Geof Huth records the tour of the Sackner Archive with his family. and continues with their trip through Florida and the Florida Keys and a visit with Bob Grumman. The report continues with visits to and communication with Spencer Selby, Andrew Topel, and, performances with Nico Vassilakis, Crag Hill, Jim Anderson titled "An Evening of Sound/Visual/Digital/Poetics.' -- Source of annotation: Marvin or Ruth Sackner.

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Huth provides a review of all the presentations at the 2nd Avant Garde Writing Symposium held at the Ohio State Libraries. -- Source of annotation: Marvin or Ruth Sackner.

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This copy is printed on white papercard stock. One of the poems "waTer vaPour" in this set was commented upon by Bob Grumman in his book "From Haiku to Lyriku" (2007). "Anyway, here's a clue: think lower case uppered. Remember gas expands." -- Source of annotation: Marvin or Ruth Sackner.

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In this review of Hirschman's life and writing, Marvin Sackner is mentioned as "one of the country's foremost collectors of poetry [who] has amassed hundreds of Hirschman's works, and commissioned others, in essence supporting the artist during that period, in the style of a Renaissance patron." -- Source of annotation: Marvin or Ruth Sackner.

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This package includes a catalogue that lists works in print. -- Source of annotation: Marvin or Ruth Sackner.

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Mention is made of Deisler's work held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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This issue includes a review by Tracy Aollinger Turner of "An American Avant Garde: Second Wave" curated and conceived by John M. Bennett in the Rare Books and Manuscripts Library at Ohio State University. Ruth and Marvin Sackner attended the exhibition and Marvin delivered the keynote address at the poetry symposium. -- Source of annotation: Marvin or Ruth Sackner.

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The Sackner Archive is listed among collections containing the work of Suarez Londono. -- Source of annotation: Marvin or Ruth Sackner.

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The inscription by Todorovic on the title page refers to a citation from the Sackner Archive catalogue of 1986. -- Source of annotation: Marvin or Ruth Sackner.

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Poyner describes the symposium and exhibition held on the poet Dom Sylvester Houedard at the South London Gallery with a book launch by Occasional Papers .Marvin Sackner presented an illustrated talk on the drawings of Houedard and lent works for the pop-up exhibition. The Sackner Archive contributed the illustrations from the Archive for the catalogue. Stored in Houedard box. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This volume, edited and with an introduction by Lorin Cuoco, accompanied the catalogue for "The Dual Muse: The Writer as Artist-the Artist as Writer" exhibition at the Washington University Gallery of Art. Cuoco writes in the introduction as follows. "We were greatly inspired by the Ruth and Marvin Sackner Archive of Concrete and Visual Poetry in Miami, Florida, where William Gass first saw the work of Tom Phillips, and where the collaborators went to observe for themselves the great treasures of this collecting couple. As a consequence of this visit, Kevin Ray, the head of special collections of Washington University's Olin Library, decided to devote an entire exhibit to Tom Phillips' work on the translation and illustration of Dante's Inferno...We extend our thanks to the lenders of the exhibition and to the museums and galleries that provided the permission and reproductions for this volume. The greatest debt, though, is to Ruth and Marvin Sackner for their constant generosity...

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This exhibition of ancient books that had been altered by their readers, insects, weather, etc. was curated by Leonard Hansen and Richard Minsky. The exhibition was partially funded by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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The pages of all of Zush's unique books beginning in 1968 are photographically reproduced in color and black & white. The Sackner Archive's copy of Zush's book, Buxida Vospina, was loaned to this exhibition and is depicted on pages 153-155. -- Source of annotation: Marvin or Ruth Sackner.

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These prints are based upon a typing done in 1993 which were photocopied onto a transparent sheet of paper and then laid over the original in five different ways creating five works "with dense patterns and moire effects." -- Source of annotation: Marvin or Ruth Sackner.