The photograph depicts a close up view of Phillips's stencilled number "57." -- Source of annotation: Marvin or Ruth Sackner.

This third page from Dante Diary, which is dated from May 10, 1979 to July 10, 1979, mentions Phillips' visit with the Sackners and receiving "good Miami postcards from Sara Sackner." The sketches on its right side depict installation plans for the British Council Show and a standing man wearing shorts viewed from the rear who appears to be in position for urinating against a wall. In addition, Phillips has sketched small drawings of Inferno pages (Una Selva) and a partially completed devil-like figure at the lower right corner. -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts prints onto which Phillips has written and rubberstamped documentation as to the type of printing process employed for each stage proof of the illustrations for Dante's Inferno. -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts an opened sheet on a table that comprises two of the finished prints for Tom Phillips' Dante's Inferno. -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts Marvin Sackner in bubble bath of hotel bathtub in Stuttgart during summer 1980; 9.5 refers to quality of hotel bathtub on Sackner's rating scale of 1-10. -- Source of annotation: Marvin or Ruth Sackner.

Behar/Sackner's film "TV Dad" is depicted and described in this catalogue. -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts the hallway of Tom Phillips' house with proofs of his Dante's Inferno prints pinned onto the wall. An assistant is seen who is mounting an additional print onto the wall. -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts the group mentioned in the title. -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts Nick Kite, one of Tom Phillips' assistants, working on a printing plate for Dante's Inferno in the Phillips' studio. -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts Pella Erskine-Tulloch working on a bookbinding for Phillips's Dante's Inferno. -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts a close up view of Phillips's lithograph press. -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts the room with filing cases in Phillips' house/studio where prints for Dante's Inferno were stored. -- Source of annotation: Marvin or Ruth Sackner.

This photoessay by Sara Sackner published on the Phillips web site for the first time, documents the work at Tom's studio in London during the production of the fine press book Dante's Inferno in 1980. This is vol. 6, no. 1 of recent website updates. John Pull, webmaster, writes, " I first saw Sara's photos while visiting the Sackner Archive of Visual and Concrete Poetry (sic) in Miami Beach. I loved the image I saw of Tom and NIck Tite reviewing the plate and was floored by the cache of prints Sara loaned me for this special exhibition, 57 in '80. Fond appreciation to Sara for her generosity." -- Source of annotation: Marvin or Ruth Sackner.

This book was assembled by Sara Sackner on the occasion of Marvin Sackner's 70th birthday. It contains clips from the film "Concrete" that Sara produced about the Archive. Her dedication reads, " Oh Clips!/ Speak to me/ LONG and short/ Tell me / Where you want to go!" -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts Tom Phillips, apparently engaged in thought in his studio, while seated against a wall onto which is pinned part of his Dante's Inferno Diary. The diary is now held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts one of Tom Phillips' assistant making a silkscreen print in Phillips' studio for Dante's Inferno. -- Source of annotation: Marvin or Ruth Sackner.

This photograph was taken during the summer Sara Sackner spent in London. Phillips is depicted at work on a large print of "Dante's Inferno." -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts Tom Phillips with an assistant reviewing prints for Dante's Inferno in Phillips' studio. The large drawing, "Speaking in Tongues" (1980) is seen on the wall. This work was subsequently acquired by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts Tom Phillips seated in his studio with a cup of coffee by his side. -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts Nick Kite, one of Tom Phillips' assistants, along with Phillips reviewing a print for Dante's Inferno in Phillips' studio. -- Source of annotation: Marvin or Ruth Sackner.