The photograph depicts a close up view of Phillips's stencilled number "57." -- Source of annotation: Marvin or Ruth Sackner.

Found pages of text are interwoven on a visual background and stitched around the borders. -- Source of annotation: Marvin or Ruth Sackner.

This third page from Dante Diary, which is dated from May 10, 1979 to July 10, 1979, mentions Phillips' visit with the Sackners and receiving "good Miami postcards from Sara Sackner." The sketches on its right side depict installation plans for the British Council Show and a standing man wearing shorts viewed from the rear who appears to be in position for urinating against a wall. In addition, Phillips has sketched small drawings of Inferno pages (Una Selva) and a partially completed devil-like figure at the lower right corner. -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts prints onto which Phillips has written and rubberstamped documentation as to the type of printing process employed for each stage proof of the illustrations for Dante's Inferno. -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts an opened sheet on a table that comprises two of the finished prints for Tom Phillips' Dante's Inferno. -- Source of annotation: Marvin or Ruth Sackner.

Found pages of text are interwoven on a visual background and stitched around the borders. -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts Marvin Sackner in bubble bath of hotel bathtub in Stuttgart during summer 1980; 9.5 refers to quality of hotel bathtub on Sackner's rating scale of 1-10. -- Source of annotation: Marvin or Ruth Sackner.

Found pages of text are interwoven on a visual background and stitched around the borders. -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts the hallway of Tom Phillips' house with proofs of his Dante's Inferno prints pinned onto the wall. An assistant is seen who is mounting an additional print onto the wall. -- Source of annotation: Marvin or Ruth Sackner.

Found pages of text are interwoven on a visual background and stitched around the borders. -- Source of annotation: Marvin or Ruth Sackner.

Found pages of text are interwoven on a visual background and stitched around the borders. -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts the group mentioned in the title. -- Source of annotation: Marvin or Ruth Sackner.

Found pages of text are interwoven on a visual background and stitched around the borders. -- Source of annotation: Marvin or Ruth Sackner.

Each collage (postcard) depicts an abstract impression of Miami Beach scenes made of cut, colored construction paper. They are labeled water, blimp, beach strip, pool and causeway on the verso. -- Source of annotation: Marvin or Ruth Sackner.

Each card is a cut-out of colored construction paper of an abstract design of the water, the blimp, the beach, the strip, the pool, and the causeway. -- Source of annotation: Marvin or Ruth Sackner.

This humorous photographic diary was made by Sara on April 23rd, 1977, on a day she met her parents and visited art galleries in Manhattan with them. -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts Nick Kite, one of Tom Phillips' assistants, working on a printing plate for Dante's Inferno in the Phillips' studio. -- Source of annotation: Marvin or Ruth Sackner.

Found pages of text are interwoven on a visual background and stitched around the borders. -- Source of annotation: Marvin or Ruth Sackner.

Found pages of text are interwoven on a visual background and stitched around the borders. -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts Pella Erskine-Tulloch working on a bookbinding for Phillips's Dante's Inferno. -- Source of annotation: Marvin or Ruth Sackner.