An article by Charles McGrath titled the Year of (Your Catchphrase Here) is illustrated by calligraphic colored drawings by Paula Scher. -- Source of annotation: Marvin or Ruth Sackner.

This dinner set was produced with the help of George Mill. Each plate and the napkin contain a different design composed of letters from the Serbian alphabet. This is a first edition of a unique limited collection. -- Source of annotation: Marvin or Ruth Sackner.

Paula Scher and Lisa Mazur of Pentagram designed this program for the award winning Broadway production. -- Source of annotation: Marvin or Ruth Sackner.

This issue includes award winning designs is several categories including packaging, advertising, brochures, type design and interactive media. The salome poster on page 45 is a good example of visual poetics integrated into graphic design. -- Source of annotation: Marvin or Ruth Sackner.

Although there is no atribution, the mural depicted on this issue is definitely the work of Paula Scher. -- Source of annotation: Marvin or Ruth Sackner.

This article is a review of Paula Scher's first gallery exhibition of her maps at Maya Stendal Gallery in New York, an interview on her methods of work and illustrations of her loft space. It mentions that all of the paintings in the show were sold. -- Source of annotation: Marvin or Ruth Sackner.

Paula Scher traces her design work and career in sections titled Corporate Politics 101, Style Wars and In the Company of Men. Her graphic designs have a concrete and visual poetic sensibility. One of them, "an opinionated map," that is held by the Sackner Archive is reproduced on page 134. In the first section of the book, Scher describes and illustrates her record cover designs. Style Wars concerns designing record, books, logos, marketing graphics, posters and painted maps. The final section concerns Scher's involvement with Pentagram, designing for the Public Theater and Broadway, logos, magazines, architectural design and fabric design. Scher writes, "I began painting small opinionated maps in the early nineties. Over time they grew larger and more obsessive. In the late nineties and now the map paintings serve as an antidote to laborious corporate design projects frustrated by indecisive committees." -- Source of annotation: Marvin or Ruth Sackner.

This book also includes examples of industrial design by the firm. -- Source of annotation: Marvin or Ruth Sackner.

Ellen Lupton reviewed The Struggle for Utopia: Rodchenko, Lissitzky, Moholy-Nagy, 1917-1946. Steven Heller contributed an interview with Rick Poynor, design writer and editor of Eye Magazine. -- Source of annotation: Marvin or Ruth Sackner.

Paula Scher's drawing for an article by Matt Bai illustrates his essay about the racial implications of the firing of Shirley Sherrod, an African American Georgian bureaucrat. The drawing of the word RACE is scrawled, black and calligraphic over a barely visible red drawn RACE and horizontal lines that reflect the emotions of the political incident. -- Source of annotation: Marvin or Ruth Sackner.

This issue purchased in Dublin depicts a cover image of a female nude; the cover of an issue featured on Amazon.com depicts an African animal scene. -- Source of annotation: Marvin or Ruth Sackner.

Paula Scher illustrates an article with the letters AOLTW made up of the brand names in the two merging companies. the article was written by Tom Rosenstiel and Bill Kovach. -- Source of annotation: Marvin or Ruth Sackner.

Paula Scher has painted large maps with dense and colorful geographic names of the locations. The maps include Africa, Europe, Florida, Los Angeles and Long Island. -- Source of annotation: Marvin or Ruth Sackner.

This publication consists of the design material for three seasons of theater presentations in an "evolving graphic language developed and produced by Paula Scher and her design team at Pentagram." -- Source of annotation: Marvin or Ruth Sackner.

Paula Scher contributed an Op-Art illustration titled "Diagram of a Blog." -- Source of annotation: Marvin or Ruth Sackner.