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Solt, Mary Ellen

 Person

Dates

  • Existence: 1920-07-08 - 2007-06-21

Found in 32 Collections and/or Records:

Charles Sanders Pierce and Eugen Gomringer: The Concrete Poem as a Sign / Solt, Mary Ellen; Gomringer E., 1976

 Item
Identifier: CC-02772-2815
Scope and Contents

Solt analyzes Gomringer's concrete poem, "ping pong" in depth. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1976

Concrete Poetry: A Teacher's Guide / Michael Warshaw; E Williams; ME Solt; D Pignatari., 1970

 Item
Identifier: CC-45975-48681
Scope and Contents

This performance video is the reading of nine poems from Emmett Williams' "An Anthology of Concrete Poetry." Using a musical background, and interpretive photography, the emphasis is on the visual aspect of the words and not on the linguistic. The film was donated to the Anthology Film Archives and transferred to DVD in 2006. According to 2006 media standards, the film should be considered quaint, historic and dated. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970

Concrete Poetry: A Teacher's Guide / Michael Warshaw; E Williams; ME Solt; D Pignatari., 1970

 Item
Identifier: CC-45975-48681
Scope and Contents

This performance video is the reading of nine poems from Emmett Williams' "An Anthology of Concrete Poetry." Using a musical background, and interpretive photography, the emphasis is on the visual aspect of the words and not on the linguistic. The film was donated to the Anthology Film Archives and transferred to DVD in 2006. According to 2006 media standards, the film should be considered quaint, historic and dated. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970

Concrete Poetry: A Teacher's Guide / Warshaw, Michael; Williams E; Solt ME; Pignatari D., 1970

 Item
Identifier: CC-00445-457
Scope and Contents

This performance video is the reading of nine poems from Emmett Williams' "An Anthology of Concrete Poetry." Using a musical background, and interpretive photography, the emphasis is on the visual aspect of the words and not on the linguistic. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970

Concrete Poetry: A World View, 1968

 Item
Identifier: CC-53605-200008
Scope and Contents This is the first edition, first printing. In the beginning of this book, traces the poets of concrete poetry country by country as follows: Switzerland, Brazil, Germany, Austria, Iceland, Czechoslovakia, Turkey, Finland, Denmark, Sweden, japan, France, Belgium, Italy, Portugal, Mexico, Spain, Scotland, England, Canada, and United States. This is followed by a section dealing with manifestos by Gomringer, the Noigandres Group, Max Bense, Oyvind Fahlstrom, Henri Chopin, Paul De Vree, Jonathan Williams, and Ian Haimilton Finlay. The next section consists of concrete poems from from poets worldwide. Obituary: Mary Ellen Solt, 86; poet, poetry critic, By Mary Rourke, Times Staff Writer, June 29, 2007 Mary Ellen Solt, a poet and poetry critic who often arranged words on the page in a visual graphic, resulting in such works as "Forsythia," a poem that looks like a flowering shrub, has died. She was 86. Solt died June 21 at Henry Mayo Newhall Memorial Hospital in Santa Clarita after...
Dates: 1968

Concrete Poetry: A World View / Solt, Mary Ellen, editor ; Gomringer E ; DeCampos A ; DeCampos H ; Pignatari D ; Pinto LA ; Braga E ; Grunewald JL ; Xisto P ; Azeredo R ; Paes JP ; Bremer C ; Bense M ; Mayer HJ ; Mon F ; Kriwet F ; Jandl E ; Ruhm G ; Wiener O ; Gappmayr H ; Roth D ; Novak L ; Kolar J ; Hirsal J ; Grogerova B ; Valoch J ; Havel V ; Barborka Z ; Ovcacek E ; Pazarkaya Y ; Sanmark K ; Steen V ; Fahlstrom O ; Nylen L ; Kitasono K ; Niikuni S ; Garnier I ; Garnier P ; Heidsieck B ; Bory JF ; LeSidaner JM ; DeVree F ; Vroom I ; VanEssche L ; Belloli C ; Lora-Totino A ; Spatola A ; deMelo e Castro EM ; Tavares S ; Goeritz M ; Campal J ; Millan F ; Gomez de Liano I ; Uribe E ; Ocarte ; Caceres JA ; Diaz deFortuny J ; Molero H ; Garcia-Sanchez J ; Arias-Misson A ; Lopez-Vera F ; Finlay IH ; Morgan E ; Houedard DS ; Greenham P ; Furnival J ; Nichol bp ; cummings ee ; Zukofsky L ; Bogan L ; Creeley R ; Lax R ; Williams E ; Saroyan A ; Williams J ; Solt ME ; Higgins D ; Fernbach-Flarscheim C ; Johnson R., 1968

 Item
Identifier: CC-53604-65826
Scope and Contents This is the first edition, first printing. In the beginning of this book, traces the poets of concrete poetry country by country as follows: Switzerland, Brazil, Germany, Austria, Iceland, Czechoslovakia, Turkey, Finland, Denmark, Sweden, japan, France, Belgium, Italy, Portugal, Mexico, Spain, Scotland, England, Canada, and United States. This is followed by a section dealing with manifestos by Gomringer, the Noigandres Group, Max Bense, Oyvind Fahlstrom, Henri Chopin, Paul De Vree, Jonathan Williams, and Ian Haimilton Finlay. The next section consists of concrete poems from from poets worldwide. Obituary: Mary Ellen Solt, 86; poet, poetry critic, By Mary Rourke, Times Staff Writer, June 29, 2007 Mary Ellen Solt, a poet and poetry critic who often arranged words on the page in a visual graphic, resulting in such works as "Forsythia," a poem that looks like a flowering shrub, has died. She was 86. Solt died June 21 at Henry Mayo Newhall Memorial Hospital in Santa Clarita after...
Dates: 1968

Flowers in Concrete, 1966

 Item
Identifier: CC-02770-2813
Scope and Contents

This book was designed and printed from linecuts by John Dearstyne. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1966

Flowers in Concrete / Solt, Mary Ellen., 1969

 Item
Identifier: CC-58806-67036
Scope and Contents

Each print depicts a concrete poem that depicts a flower silkscreen by Loyd Olcutt from Solt's original calligraphic drawings. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1969

Flowers in Concrete / Solt, Mary Ellen., 1969

 Item
Identifier: CC-58807-67415
Scope and Contents

Each print depicts a concrete poem that depicts a flower silkscreen by Loyd Olcutt from Solt's original calligraphic drawings. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1969

Focus: Multiple Arts '76: Concrete Poetery / Cluver C ; Pignatari D ; Solt ME ; DeCampos H ; DeCampos A ; Phillips MJ ; Sanders E ; Azeredo R ; Braga E ; Pinto LA ; Xisto P ; Plaza J ; Cussen A ; Moore AD ; D'Agostino G., 1976

 Item
Identifier: CC-12777-13048
Scope and Contents

Claus Cluver provides an introduction that describes the international Concrete Poetry movement. The program for exhibition, film, graphic art and musical performances is presented. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1976

From Imagism to Concrete Poetry: Breakthrough or Blind Alley? / Cluver, Claus; Saroyan A; Solt ME; Williams E; Indiana R; DeCampos A; Gomringer E; Mallarme S., 1987

 Item
Identifier: CC-19809-20196
Scope and Contents

Cluver presents definitions of Concrete Poetry and its controversies. Robert Indiana's "LOVE" works and e.e. cummings poem "brIght" are analyzed. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987

From Imagism to Concrete Poetry: Breakthrough or Blind Alley? / Cluver, Claus; Saroyan A; Solt ME; Williams E; Indiana R; DeCampos A; Gomringer E; Mallarme S., 1987

 Item
Identifier: CC-19835-20222
Scope and Contents

Cluver presents definitions of Concrete Poetry and its controversies. Robert Indiana's "LOVE" works and e.e. cummings poem "brIght" are analyzed. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987

Marriage / Solt, Mary Ellen., 1975

 Item
Identifier: CC-02773-2816
Scope and Contents

Solt introduces the two concrete poems by stating that the code poems are derived from the universal language of signs and symbols that have been used from ancient times to the present as taken from the subjects of the alphabet, astrology, astronomy, botany, chemistry, commerce, engineering, mathematics, medicine, music, physics, punctuation, runes, zoology, etc. She provides a key to the ideograms that render the rebus to be deciphered. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1975

Marriage / Solt, Mary Ellen., 1975

 Item
Identifier: CC-02774-2817
Scope and Contents

Solt introduces the two concrete poems by stating that the code poems are derived from the universal language of signs and symbols that have been used from ancient times to the present as taken from the subjects of the alphabet, astrology, astronomy, botany, chemistry, commerce, engineering, mathematics, medicine, music, physics, punctuation, runes, zoology, etc. She provides a key to the ideograms that render the rebus to be deciphered. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1975