A biography of Tilson is printed on each page of the catalogue with the art projects created during that time frame. Photographic reproductions of pages from Tilson's periodicals, Cipher and Atlas, are included in this catalogue. These periodicals are also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Lynn Silverman, the exhibition assistant, writes, "Although Joe Tilson does not write poetry, the power of the word is evident in his art. His conversation is sprinkled with references to certain poets, especially Yeats and Pound. The ubiquitous relationship between words and images, and their role in structuring our experience of the world, is a thread that runs throughout Tilson's art." -- Source of annotation: Marvin or Ruth Sackner.

Auction catalog. Mentions that item 4567, Schoffer & Albert-Birot: Aux trente-deux vents, is Sackner-Archive 42. -- Source of annotation: Marvin or Ruth Sackner.

As noted in his biography, Tilson was "originally associated with the British Pop Art movement in the early 1960's. He was soon led in a different direction by his deeply held convictions and his dissatisfaction with the technology and industrial 'progress' of the consumer society. Art, Tilson has written, is a symbolic discourse of which mankind alone is capable." -- Source of annotation: Marvin or Ruth Sackner.

The record jacket and poster designs consisted of portraits of The Who, a British musical rock group. Phillips did a portrait of the leader, Pete Townshend and other artists did portraits of Townshend and other menbers of the group. -- Source of annotation: Marvin or Ruth Sackner.

The record jacket and poster designs consisted of portraits of The Who, a British musical rock group. Phillips did a portrait of the leader, Pete Townshend and other artists did portraits of Townshend and other menbers of the group. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition was curated by David Mellor. -- Source of annotation: Marvin or Ruth Sackner.