The card is written on the verso of "sixty natural greens," a conceptual art piece. Nannucci asks Williams to make a contribution to his magazine, Mela. -- Source of annotation: Marvin or Ruth Sackner.

In this book, Williams depicts chicken footprints as name-portraits or paintings of Dada artists. -- Source of annotation: Marvin or Ruth Sackner.

In this book, Williams depicts chicken footprints as name-portraits or paintings of Dada artists. -- Source of annotation: Marvin or Ruth Sackner.

In this book, Williams depicts chicken footprints as name-portraits or paintings of Dada artists. -- Source of annotation: Marvin or Ruth Sackner.

Mary Connors' interview of Emmett Williams is titled "Artist As Poet, Inventor and Cosmological Humorist." It describes his mode of creating his sequence works and his exhibition "Schemes and Variations-Serial Paintings, Lithographs and Drawings." -- Source of annotation: Marvin or Ruth Sackner.

This performance video is the reading of nine poems from Emmett Williams' "An Anthology of Concrete Poetry." Using a musical background, and interpretive photography, the emphasis is on the visual aspect of the words and not on the linguistic. The film was donated to the Anthology Film Archives and transferred to DVD in 2006. According to 2006 media standards, the film should be considered quaint, historic and dated. -- Source of annotation: Marvin or Ruth Sackner.

This performance video is the reading of nine poems from Emmett Williams' "An Anthology of Concrete Poetry." Using a musical background, and interpretive photography, the emphasis is on the visual aspect of the words and not on the linguistic. The film was donated to the Anthology Film Archives and transferred to DVD in 2006. According to 2006 media standards, the film should be considered quaint, historic and dated. -- Source of annotation: Marvin or Ruth Sackner.

This performance video is the reading of nine poems from Emmett Williams' "An Anthology of Concrete Poetry." Using a musical background, and interpretive photography, the emphasis is on the visual aspect of the words and not on the linguistic. -- Source of annotation: Marvin or Ruth Sackner.

The poems are printed with different typefaces from page to page. -- Source of annotation: Marvin or Ruth Sackner.

The expanded catalog with original xerox prints in an edition of 12 is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This is a limited edition catalog of the exhibition that includes prints from the exhibition. Another limited edition of signed prints enclosed within a box was published in an edition of 50 copies. -- Source of annotation: Marvin or Ruth Sackner.

Emmett Williams writes about his creation of the Alphabet Symphony for the Festival of Misfits in London in 1962. The performance was one of the first Fluxus events even before the name Fluxus was used. It was preceded by the first Festum Fluxorum the previous month in Weisbaden with Williams and Ben Paterson as the only certified Fluxus artists. Paterson contributed an essay and conducted Williams' alphabet performance. -- Source of annotation: Marvin or Ruth Sackner.