Broel displayed the title of the book as a repetitive element by rolling 120 pages such that the page header with the title faced the viewer, tied the rolls with alternate black and white strings, and placed them in three columns of 40 rolled texts each. -- Source of annotation: Marvin or Ruth Sackner.

The printed pages have added textured wood rubbings. -- Source of annotation: Marvin or Ruth Sackner.

The frottage, which appears to be taken from rings of a tree, has been transferred to a page of Russian text. -- Source of annotation: Marvin or Ruth Sackner.

This book provides a list of contributors and their addresses along with personal works and prices for purchase. -- Source of annotation: Marvin or Ruth Sackner.

The plastic objects are a knife, fork and spoon. -- Source of annotation: Marvin or Ruth Sackner.

The plastic objects are a knife, fork and spoon. -- Source of annotation: Marvin or Ruth Sackner.

Although the artists were not part of the New Realism group, the iconography of the decollages is in the spirit of that movement. The edition size is 30 but the individual works themselves are unique. -- Source of annotation: Marvin or Ruth Sackner.

The pages of this book have been cut from newspapers and magazines. White and red paint has been applied to partially obscure the text and images. -- Source of annotation: Marvin or Ruth Sackner.

This is a trade edition hard cover booklet in which Broel has partially cancelled the entire text with red and black diagonal ink strokes. -- Source of annotation: Marvin or Ruth Sackner.