This pamphlet consists of a poem in Spanish by Federico Garcia Lorca that has been translated by Karl Young. It is illustrated by three ideograms by thalia signifying 'open balcony.' The bottom half of the pages consists of a poem in English arranged like the railings of a balcony, -- Source of annotation: Marvin or Ruth Sackner.

The titles of the poems are Literature, Avenging, Migration, Movements, Nuclear Fears, Wake, Eugenics, Radical Actions, Hushed Silence, and Army. -- Source of annotation: Marvin or Ruth Sackner.

The poem is composed of the two ideograms for the words 'First' and 'Daffodils' presented as a field of flowers. -- Source of annotation: Marvin or Ruth Sackner.

This work consists of a conventional poem by Karl Young illustrated by four ideograms designed by thalia. thalia's ideograms are 'Patron of Thieves,' 'Let Us Praise,' 'Exploration Turned Against Us' and 'Peace with Ourselves.' The poem 'Exploration Turned Against Us' has the appearance of a standing crane. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition was curated by pete spence and Raymond Cortese. -- Source of annotation: Marvin or Ruth Sackner.

Spence describes meeting several German and American mail artists in Germany. Mentions that the Australian networkers might appear in a book by Klaus Peter Dencker in a German edition and perhaps in an Engish edition published by Thames and Hudson. -- Source of annotation: Marvin or Ruth Sackner.

This work consists of two, sepia-toned, photographs from WWII Germany and an ideographic drawing by thalia superimposed on each photograph. The ideograms read 'Knowledge of History' and 'Mirrors of Blindness.' -- Source of annotation: Marvin or Ruth Sackner.

This work consists of a poem by Weng Wei written half in Chinese ideograms and half in English letters. The poem is translated at the bottom of the page. The ideograms are Thalia's symbols for the words, 'wash' and 'silk.' -- Source of annotation: Marvin or Ruth Sackner.

There is a great deal of resemblance in Thalia's conventional poetic style to that of Jas Duke. -- Source of annotation: Marvin or Ruth Sackner.

The poem is composed of the two ideograms for the words 'Charm' and 'Journey' that have the appearance of floating swans. -- Source of annotation: Marvin or Ruth Sackner.

The poem facing the conventional poem by Karl Young is an illustration by thalia of a man's head composed of seven different symbols standing for "goodbye, farewell, so long, go on, go out, auf wedersen and adios." -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was curated by Karl Young. This exhibition commemorates the first nuclear holocaust, August 6, 1945 and a call for banning nuclear weapons everywhere. -- Source of annotation: Marvin or Ruth Sackner.